GSS 679: Difference between revisions
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(Created page with "Previous poem | Contents | Next poem = Text = しのびてかよひ侍ける女のもとより、かりさうぞくをくりて侍けるに、すれるかりぎぬ侍けるに もとよしのみこ 逢事は とを山とりの かり衣 きてはかひなき ねをのみぞなく = Translation = = Textual Notes = * Prose Preface ** かよひ侍ける] かよひける（荒・片） ** をくりて侍けるに] おく...") |
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= Translation = | = Translation = | ||
A woman he was seeing secretly sent him hunting clothing, and among them was a pattern-printed hunting robe. | |||
Prince Motoyoshi | |||
Our meeting is far, and wearing the mountain bird-printed robes has no effect (visiting you here has no effect), I only cry tears. | |||
= Textual Notes = | = Textual Notes = | ||
* Prose Preface | * Prose Preface | ||
** かよひ侍ける] | ** かよひ侍ける] かよひける（荒・片・八・増） | ||
** をくりて侍けるに] おくりけるに（堀・雲・荒・片）、おくられて侍けるに（坊） | ** をくりて侍けるに] おくりけるに（堀・雲・荒・片）、おくられて侍けるに（坊） | ||
** すれる] すれりける（雲） | ** すれる] すれりける（雲） | ||
** かりぎぬ侍けるに] | ** かりぎぬ侍けるに] かりぎぬのくわわりければ（堀）、かりぎぬのはべりければ（荒・片・雲・慶）、かりぎぬのはべりけるに（承・正・八・増） | ||
* Poem | * Poem | ||
** Teika's note: | ** Teika's note: 両説共用 可用スリ(朱) す 清本 | ||
** 逢事は] と written to the side of は（正） | ** 逢事は] と written to the side of は（正） | ||
** 山とり] | ** 山とり] 山すり（中・貞・荒・片・行・坊・承・正*・正保ィ・詠歌・八*・増*・標ィ・新ィ・全釈・新体系） | ||
** かり衣] | ** かり衣] から衣（堀・荒）、すり衣（八ィ・増ィ・標ィ・旧国ィ） | ||
** かひなき] わびしき（堀）、はかなき（承・正*） | ** かひなき] わびしき（堀）、はかなき（承・正*） | ||
** ねをのみぞなく] ねをもなくかな（荒・片） | ** ねをのみぞなく] ねをもなくかな（荒・片） | ||
= Other Sources = | = Other Sources = | ||
* [[時代不同歌合]] | |||
* [[近代秀歌]] [[詠歌大概]] [[六華集]] [[定家八代抄]] [[八代集秀逸]] [[歌林良材]] | |||
= Notes = | = Notes = | ||
;狩装束 | |||
:Hunting clothing used for falconry and such. | |||
;逢ふ事は遠 | |||
:This is a pivot construction for 遠し and 遠山. | |||
;遠山鳥の | |||
:As the notes above indicate, many sources read やまずり instead. Teika indicates that clothing was often dyed with the image of a 遠山(僻案抄) but also thinks the 鳥 would connect to the 鳴く at the end; perhaps this is why he indicates that either theory can be used in the base text notes. Tameie connects this with patterns worn by guards on Imperial processions (聞書). Mabuchi also felt that the bird worked better with the なく at the end (標注). Nakayama quotes Mabuchi, but supports ずり as the reading (with a quotation from Keichu; he noted that the 遠山 is found in the Engi Shiki as a pattern). However, at the end he hedges his bet again, noting that it's difficult to decide between them (新抄). | |||
:Kifune emends the text because 摺る is mentioned in the preface. Kudo claims that 山鳥 couples are said to sleep apart, thus adding additional resonance to the image (see 1280 for another 山鳥 poem). In a supplementary note, Kudo says that the 鳥 reading works well too and it is difficult to decide which is right; he also quotes several later poems to show that this poem was used for 本歌取 with both readings. Tokuhara follows the "山鳥 sleep apart" reasoning and suggests that the robe had a printed mountain bird on it. | |||
;きてはかひなき | |||
:きて plays on 来て and 着て. The かひ may be 峡 as engo with 山. | |||
= Analysis = | = Analysis = | ||
Kifune reads 676-679 as one continuous story. | |||
[[GSS 678|Previous poem]] | [[Gosenshu_10|Contents]] | [[GSS 680|Next poem]] | [[GSS 678|Previous poem]] | [[Gosenshu_10|Contents]] | [[GSS 680|Next poem]] | ||
Latest revision as of 19:23, 14 August 2024
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Text
しのびてかよひ侍ける女のもとより、かりさうぞくをくりて侍けるに、すれるかりぎぬ侍けるに
もとよしのみこ
逢事は とを山とりの かり衣 きてはかひなき ねをのみぞなく
Translation
A woman he was seeing secretly sent him hunting clothing, and among them was a pattern-printed hunting robe.
Prince Motoyoshi
Our meeting is far, and wearing the mountain bird-printed robes has no effect (visiting you here has no effect), I only cry tears.
Textual Notes
- Prose Preface
- かよひ侍ける] かよひける（荒・片・八・増）
- をくりて侍けるに] おくりけるに（堀・雲・荒・片）、おくられて侍けるに（坊）
- すれる] すれりける（雲）
- かりぎぬ侍けるに] かりぎぬのくわわりければ（堀）、かりぎぬのはべりければ（荒・片・雲・慶）、かりぎぬのはべりけるに（承・正・八・増）
- Poem
- Teika's note: 両説共用 可用スリ(朱) す 清本
- 逢事は] と written to the side of は（正）
- 山とり] 山すり（中・貞・荒・片・行・坊・承・正*・正保ィ・詠歌・八*・増*・標ィ・新ィ・全釈・新体系）
- かり衣] から衣（堀・荒）、すり衣（八ィ・増ィ・標ィ・旧国ィ）
- かひなき] わびしき（堀）、はかなき（承・正*）
- ねをのみぞなく] ねをもなくかな（荒・片）
Other Sources
Notes
- 狩装束
- Hunting clothing used for falconry and such.
- 逢ふ事は遠
- This is a pivot construction for 遠し and 遠山.
- 遠山鳥の
- As the notes above indicate, many sources read やまずり instead. Teika indicates that clothing was often dyed with the image of a 遠山(僻案抄) but also thinks the 鳥 would connect to the 鳴く at the end; perhaps this is why he indicates that either theory can be used in the base text notes. Tameie connects this with patterns worn by guards on Imperial processions (聞書). Mabuchi also felt that the bird worked better with the なく at the end (標注). Nakayama quotes Mabuchi, but supports ずり as the reading (with a quotation from Keichu; he noted that the 遠山 is found in the Engi Shiki as a pattern). However, at the end he hedges his bet again, noting that it's difficult to decide between them (新抄).
- Kifune emends the text because 摺る is mentioned in the preface. Kudo claims that 山鳥 couples are said to sleep apart, thus adding additional resonance to the image (see 1280 for another 山鳥 poem). In a supplementary note, Kudo says that the 鳥 reading works well too and it is difficult to decide which is right; he also quotes several later poems to show that this poem was used for 本歌取 with both readings. Tokuhara follows the "山鳥 sleep apart" reasoning and suggests that the robe had a printed mountain bird on it.
- きてはかひなき
- きて plays on 来て and 着て. The かひ may be 峡 as engo with 山.
Analysis
Kifune reads 676-679 as one continuous story.