GSS 797

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Text

女につかはしける　

枇杷左大臣

(99r) 山びこの　こゑにたゝでも　年はへぬ　わが物思を　しらぬ人きけ

Textual Variants

• 女に] 人のもとに（堀・雲・慶・坊）
• たたても] たてても（鳥・貞・堀・雲・坊・承・正・正保・標・新・旧国・全釈・新注・新国）、たてしも（八・増）
• 物思を] 物おもふを（雲）、物おもひ（承）

Other Sources

• 古今和歌六帖２５５２・としへていふ・びはの大臣. First line ほととぎす. Second line こゑにたてても. Third line としへぬる.

Notes

山びこの

Kigin interprets as a 枕詞, and Nakayama specifies 「声にたててといはん料のみなり」. More recent commenters all assign a meaning to this phrase though -- 山彦の声に立つ is interpreted as "A voice to raise echoes". Kifune's interpretation is that this means the poet is only speaking in the depths of his heart where no echoes (or responses from the woman) occur. Tokuhara is the only one to explicitly link echoes with a response from the woman, though.

声にたたでも

The reading of たた vs たて does not make a material difference to the interpretation of the poem (Katagiri and Tokuhara are the only ones who do not emend the text). The form たたる instead of 立てる is found in variant texts of KKS 3 as well as in the 万葉集, and may be a dialect or old-fashioned form. The main reading in texts of たてでも is interpreted by Nakayama as meaning that there was a long time where the poet did not say anything, and now he is raising his voice. This is Kifune's reading as well.

Kudo is alone in reading the phrase unvoiced as たてても, meaning that the poet has been getting the echoes, although his overall reading of the poem seems to be the same as the other scholars.

しらぬ人きけ

「しらぬそなたも、承知してくれよかし」（新抄） . This is how most scholars interpret it, but Katagiri interprets the 人 as anyone who doesn't already know that the poet loves her.

Analysis

KKS 521 つれもなき人を恋ふとて山彦の答へするまで嘆きつるかな

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