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;荻 | ;荻 | ||
:Kana spellings include 乎岐（和名類聚抄）、乎支（新撰字鏡）、and 乎疑（万葉集１４・３４４６）. Despite the spelling おき in the 中院本 and 正徹本, it seems that をぎ (with the voiced second syllable) is the historically correct reading. The plant first appears in imperial collections in the GSS (in a total of 4 poems), although it occurs in four MYS poems and one poem in the 新撰和歌. It is not included in the 古今和歌六帖 Starting with the 千載集 it becomes a standard autumn plant. 「下。をぎ原。庭、野などによむ。水辺にも有るべし」（八雲御抄）. | :Kana spellings include 乎岐（和名類聚抄）、乎支（新撰字鏡）、and 乎疑（万葉集１４・３４４６）. Despite the spelling おき in the 中院本 and 正徹本, it seems that をぎ (with the voiced second syllable) is the historically correct reading. The plant first appears in imperial collections in the GSS (in a total of 4 poems), although it occurs in four MYS poems and one poem in the 新撰和歌. It is not included in the 古今和歌六帖 Starting with the 千載集 it becomes a standard autumn plant. 「下。をぎ原。庭、野などによむ。水辺にも有るべし」（八雲御抄）. | ||
;荻のやけ原 | |||
:「春、野火で焼いたあとの荻の原をいう。また、荻の初生の芽が黒いのにたとえたものともいう」（日本国語大辞典）. See also [[SIS 1020]: 「かすがののをぎのやけはらあさるとも見えぬなきなをおほすなるかな」These sources read the term as やけはら, unvoiced. | |||
;若菜 | |||
:Picking young shoots is an activity seen in a number of early spring poems -- although there was sometimes a specific ritual associated with it, such as presenting the shoots to the Emperor, here it seems to be a more casual activity. cf. 枕草子: 「七日、雪まのわかなつみ、あをやかに、例はさしもさるもの目ちかからぬ所に、もてさわぎたるこそをかしけれ」 | |||
;誰 | |||
:Early phonetic representations of this word are always unvoiced, and the 日葡辞書 has "tarega" for 誰が. Although 誰 can sometimes be た, here it is clearly たれ to fit the meter (and following other manuscripts that write the word in kana). | |||
= Analysis = | = Analysis = | ||
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Revision as of 19:22, 3 February 2023
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Text
兼盛王
けふよりは 荻のやけ原 かきわけて 若菜つみにと 誰をさそはむ
Translation
Prince Kanemori
Textual Notes
- 兼盛王] 兼覧王（荒・標ィ・全釈）、兼覧大君（堀・慶・片*）
- つみにと] つまんと（八・増）
Other Sources
Notes
- 兼盛王
- This attribution is only found in this poem, and it is not completely clear who it refers to, or if there is a mistake. As can be seen from the Textual Notes, the poem is sometimes attributed to Kanemi rather than Kanemori. The 後六々集 lists Kanemi as the author, while Teika's 定家八代抄, the 和歌童蒙抄, and the 大和物語 attribute it to Taira no Kanemori. The 袋草紙 has a long note on the problematic attributions of a number of Kanemori's poems, including this one. Modern commenters take various approaches: 全釈 emends the text, with Kifune claiming that it would have been wrong to use the suffix 王 with Kanemori. 新体系 says that this would have been his title prior to 950, and 新注 simply notes the various sources and says that it is probably Kanemori's composition. Finally, 和歌大系 says that either is possible, and notes that the 大和物語 is not necessarily a completely trustworthy source.
- 荻
- Kana spellings include 乎岐（和名類聚抄）、乎支（新撰字鏡）、and 乎疑（万葉集１４・３４４６）. Despite the spelling おき in the 中院本 and 正徹本, it seems that をぎ (with the voiced second syllable) is the historically correct reading. The plant first appears in imperial collections in the GSS (in a total of 4 poems), although it occurs in four MYS poems and one poem in the 新撰和歌. It is not included in the 古今和歌六帖 Starting with the 千載集 it becomes a standard autumn plant. 「下。をぎ原。庭、野などによむ。水辺にも有るべし」（八雲御抄）.
- 荻のやけ原
- 「春、野火で焼いたあとの荻の原をいう。また、荻の初生の芽が黒いのにたとえたものともいう」（日本国語大辞典）. See also [[SIS 1020]: 「かすがののをぎのやけはらあさるとも見えぬなきなをおほすなるかな」These sources read the term as やけはら, unvoiced.
- 若菜
- Picking young shoots is an activity seen in a number of early spring poems -- although there was sometimes a specific ritual associated with it, such as presenting the shoots to the Emperor, here it seems to be a more casual activity. cf. 枕草子: 「七日、雪まのわかなつみ、あをやかに、例はさしもさるもの目ちかからぬ所に、もてさわぎたるこそをかしけれ」
- 誰
- Early phonetic representations of this word are always unvoiced, and the 日葡辞書 has "tarega" for 誰が. Although 誰 can sometimes be た, here it is clearly たれ to fit the meter (and following other manuscripts that write the word in kana).
