Gosenshu 7: Difference between revisions
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== 352 == | == 352 == | ||
秋風にあひとしあへば花すすきいづれともなくほにぞいでける | |||
akikaze ni In the autumn wind | |||
ahi to si ahe-ba That blows forth and meets them all | |||
hanasusuki The ''susuki'' plants | |||
idure to mo naku Every one, no exception, | |||
ho ni zo ide-keru Their stalks appear and come forth. | |||
-- | |||
The ''susuki'' return from the first autumn volume. Kifune reads this as a light, comic poem -- the personified plants are meeting the autumn wind (a man) and their love comes forth. Kudo and Katagiri, probably working off the usual negative meaning of autumn wind, read it in a different way. The imagery is hard to interpret, but Katagiri uses a KKS poem to suggest that it is lamenting and sorrow that is coming forth when the wind of ''aki'' meets them. Kifune's reading would fit better with the light, comic nature of 351. But the sadder love meaning is a better link to the next poem. Perhaps both are possible? | |||
Revision as of 17:24, 12 June 2020
Gosen wakashu Volume 7: Autumn 3 後撰和歌集巻第七 秋下
351
題知らず
Topic unknown
よみ人も
The poet as well
ふぢ袴きる人なみや立ちながらしぐれの雨にぬらしそめつる
hudibakama Fujibakama kiru hito nami ya Perhaps since no one wears it tati-nagara It stands sewn, ready sigure no ame ni In the rains of late autumn nurasi-some-turu Starting to get drenched and stained.
- Fujibakama
- Eupatorium japonicum. The origin of this flower's name is not certain, but the hakama suggests the word for trousers, thus furnishing the wordplay in many poems dealing with it.
- Stands sewn
- Play on tatu (standing, and cut cloth)
- Drenched and stained
- Play on some (beginning to, and dyeing something). The dyeing also suggests the autumn leaves.
--
Fujibakama occur in three KKS autumn poems and just this one GSS poem; the image does not reoccur again until the Kin'yoshu. This is a simple play on the name of the flower, but the extended wordplay and the image of the flowers standing out ready to be worn furnish a kind of comic charm. The three KKS poems (239-241) portray the flower as a cast off, discarded, or forgotten pair of trousers. This poem presents the opposite situation; a finished pair set out and ready to be worn, but no one to use it.
352
秋風にあひとしあへば花すすきいづれともなくほにぞいでける
akikaze ni In the autumn wind ahi to si ahe-ba That blows forth and meets them all hanasusuki The susuki plants idure to mo naku Every one, no exception, ho ni zo ide-keru Their stalks appear and come forth.
--
The susuki return from the first autumn volume. Kifune reads this as a light, comic poem -- the personified plants are meeting the autumn wind (a man) and their love comes forth. Kudo and Katagiri, probably working off the usual negative meaning of autumn wind, read it in a different way. The imagery is hard to interpret, but Katagiri uses a KKS poem to suggest that it is lamenting and sorrow that is coming forth when the wind of aki meets them. Kifune's reading would fit better with the light, comic nature of 351. But the sadder love meaning is a better link to the next poem. Perhaps both are possible?
