GSS 688: Difference between revisions
Created page with "Previous poem | Contents | Next poem = Text = 人の家より物見にいづるくるまを見て、心つきにおぼえ侍ければ、「たぞ」とたづねとひければ、いでける家のあるじときゝて、つかはしける よみ人しらず 人づまに 心あやなく かけはしの あやうき道は こひにぞ寄ける = Translation = = Textual Notes = = Other Sources = = Notes = = Analysis =..." |
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よみ人しらず | よみ人しらず | ||
人づまに 心あやなく かけはしの あやうき道は こひにぞ有ける | |||
= Translation = | = Translation = | ||
He saw a carriage leaving from a house to go viewing, and his heart was attracted, so he asked "who is that?" and heard that it was the principal wife of the house departing, and he sent this | |||
Poet unknown | |||
Falling in love with someone's wife unreasonably, is a love path like the danger of a wooden bridge. | |||
= Textual Notes = | = Textual Notes = | ||
* Prose preface | |||
** 物見にいづる車を見て] 物見くるまのいでける（堀）、物見くるまのいでけるを見て（雲・慶） | |||
** たぞ] たれぞ（中・安ィ・堀・雲・慶・承・正） | |||
** たづべとひければ] 侍けるに(たづけけるにィ)（堀） | |||
** いでける家のあるじ] 家のあるじ（堀）、あるじ（荒・片） | |||
** つかはしける] しのびてつかはしける（堀・雲）、一本ナシ（新） | |||
** よみ人しらず] みちとも（堀・新ィ） | |||
* Poem | |||
** あやうき道] あやうきもの（雲・坊・承・正ィ・正保・標*・新*・旧国） | |||
** こひに] たびに（中） | |||
** にぞ有ける] にざりける（正*）、こそありけれ（新ィ） | |||
= Other Sources = | = Other Sources = | ||
* [[和歌初学抄]] | |||
= Notes = | = Notes = | ||
;心づきに | |||
:俗に気に入たりといふ（新抄）. | |||
;家のあるじ | |||
:その家の本妻（新抄）. | |||
;かけはし | |||
:This is a wooden bridge but it also plays on 心をかける. | |||
= Analysis = | = Analysis = | ||
This may have been read during some kind of public event like a Kamo Festival or such, and the man has seen the beautiful carriage. これまた風流（全釈） | |||
See 1122, and MYS 4「さかきにも手はふるといふをうつたへに人づまといへばふれぬ物かは」 (標注). | |||
The 和歌初学抄 lists this as an example of metaphorical imagery, under あやうき事 with かけはし given as one example -- other commentaries also make this connection between the danger of a bridge and the danger of going after someone else's wife. The 18th century nativist scholar Fujidani Mitsue gave this poem as an example of a moral warning against frivolous love affairs. Nakayama disagrees with this, saying that this was not the intention of the original poet. | |||
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Latest revision as of 19:59, 24 October 2024
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Text
人の家より物見にいづるくるまを見て、心つきにおぼえ侍ければ、「たぞ」とたづねとひければ、いでける家のあるじときゝて、つかはしける
よみ人しらず
人づまに 心あやなく かけはしの あやうき道は こひにぞ有ける
Translation
He saw a carriage leaving from a house to go viewing, and his heart was attracted, so he asked "who is that?" and heard that it was the principal wife of the house departing, and he sent this
Poet unknown
Falling in love with someone's wife unreasonably, is a love path like the danger of a wooden bridge.
Textual Notes
- Prose preface
- 物見にいづる車を見て] 物見くるまのいでける（堀）、物見くるまのいでけるを見て（雲・慶）
- たぞ] たれぞ（中・安ィ・堀・雲・慶・承・正）
- たづべとひければ] 侍けるに(たづけけるにィ)（堀）
- いでける家のあるじ] 家のあるじ（堀）、あるじ（荒・片）
- つかはしける] しのびてつかはしける（堀・雲）、一本ナシ（新）
- よみ人しらず] みちとも（堀・新ィ）
- Poem
- あやうき道] あやうきもの（雲・坊・承・正ィ・正保・標*・新*・旧国）
- こひに] たびに（中）
- にぞ有ける] にざりける（正*）、こそありけれ（新ィ）
Other Sources
Notes
- 心づきに
- 俗に気に入たりといふ（新抄）.
- 家のあるじ
- その家の本妻（新抄）.
- かけはし
- This is a wooden bridge but it also plays on 心をかける.
Analysis
This may have been read during some kind of public event like a Kamo Festival or such, and the man has seen the beautiful carriage. これまた風流（全釈）
See 1122, and MYS 4「さかきにも手はふるといふをうつたへに人づまといへばふれぬ物かは」 (標注).
The 和歌初学抄 lists this as an example of metaphorical imagery, under あやうき事 with かけはし given as one example -- other commentaries also make this connection between the danger of a bridge and the danger of going after someone else's wife. The 18th century nativist scholar Fujidani Mitsue gave this poem as an example of a moral warning against frivolous love affairs. Nakayama disagrees with this, saying that this was not the intention of the original poet.
