Kiritsubo 4-1: Difference between revisions

From My Wiki
← Older edit

Jchristo (talk | contribs)

3 user groups
2,549 edits
No edit summary
 
(14 intermediate revisions by the same user not shown)
Line 1: Line 1:
[[image:Kiritsubo Part 4-1.jpg|200px|frame]]
[[image:Kiritsubo Part 4-1.jpg|400px|left]]




The standard Lorem Ipsum passage, used since the 1500s
= Text =


"Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum."
17オ
Section 1.10.32 of "de Finibus Bonorum et Malorum", written by Cicero in 45 BC


"Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?"
<div class="honmon">
1914 translation by H. Rackham


"But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but because occasionally circumstances occur in which toil and pain can procure him some great pleasure. To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences, or one who avoids a pain that produces no resultant pleasure?"
<ruby>皇子<rt>みこ</rt></ruby>はかくてもいと御覧ぜまほしけれど、かゝるほどにさぶらひ給<ruby>ふ<rt>・</rt></ruby><ruby>例<rt>れい</rt></ruby>なきことなれば、まかで給<ruby>ひ<rt>・</rt></ruby>なんとす。<ruby>何事<rt>なにごと</rt></ruby>かあらんと<u>も</u>おぼしたらず、さぶらふ人々の<ruby>泣<rt>な</rt></ruby>き<ruby>惑<rt>まど</rt></ruby>ひ、うへも御<ruby>涙<rt>なみだ</rt></ruby>のひまなく<ruby>流<rt>なが</rt></ruby>れおはしますを、あやしと<ruby>見<rt>み</rt></ruby>たてまつり給へるを、よろしきことにだに、かゝる<ruby>別<rt>わか</rt></ruby>れの<ruby>悲<rt>かな</rt></ruby>しからぬはなきわざなるを、ましてあはれに<ruby>言<rt>い</rt></ruby>ふかひなし。
Section 1.10.33 of "de Finibus Bonorum et Malorum", written by Cicero in 45 BC


"At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat."
</div>
1914 translation by H. Rackham


"On the other hand, we denounce with righteous indignation and dislike men who are so beguiled and demoralized by the charms of pleasure of the moment, so blinded by desire, that they cannot foresee the pain and trouble that are bound to ensue; and equal blame belongs to those who fail in their duty through weakness of will, which is the same as saying through shrinking from toil and pain. These cases are perfectly simple and easy to distinguish. In a free hour, when our power of choice is untrammelled and when nothing prevents our being able to do what we like best, every pleasure is to be welcomed and every pain avoided. But in certain circumstances and owing to the claims of duty or the obligations of business it will frequently occur that pleasures have to be repudiated and annoyances accepted. The wise man therefore always holds in these matters to this principle of selection: he rejects pleasures to secure other greater pleasures, or else he endures pains to avoid worse pains."
[The Emperor] wished very much to see the prince despite this, but since there was no example of someone being [in the palace] in a time like this, the child made to leave the palace. [The child] could not discern what was occurring, and he looked with wonder on the serving people's confused crying, and even His Highness' endlessly falling tears. Even in a normal situation, such a parting would be sad, and even more so the pathos [now] is impossible to describe.
 
= Notes =
 
[[Kiritsubo Glossary|Glossary]] / [[Kiritsubo Grammar|Grammar Reference]]
 
;皇子は
:The Emperor was unable to save Kiritsubo, but he wants "at least" (は) Genji to be there.
 
;さぶらひ給ふ
:This RT form could be seen as acting as a noun (...給うことは例なき) or as a modifier for 例 (in either case the general meaning is the same).
 
;例なきこと
:The concept of 例 as a precedent from history has previously occurred in the context of the worried courtiers bringing up the 例 of Yáng Guìfēi. Here, there is no 例 that will allow Genji to stay in the palace. かかるほど seems to refer to Genji having to wear mourning clothes*.
 
;まかで給ひなんとす
:The use of なん + と + す here normally indicates one's own intention to do something, but here it must refer to what those around him are going to have him do (解読).
 
;見たてまつり給へるを
:The たてまつり is humble (for Genji towards the Emperor) and the 給へる is honorific towards Genji.
:The grammar of the を at the end of this sentence is difficult to parse since it seems to have no verb to connect to. One possibility is that the を acts like に対して and that the next part is an affective response to what has gone before (注釈)*.
 
;よろしきことにだに...
:Exactly what the よろしきこと and かかる別れ refer to is a subject of debate. The interpretation that occurs most commonly is "A parting between a parent and child would be sad in any case, but here when Genji has no idea what is going on, it's even more sorrowful."*
 
;なきわざなるを
:わざ here is similar to MJ というわけ providing an explanation (解読). The を seems to be "but"/"however."
 
= Analysis =
 
In this section we see Genji come into the narrative as an actual character, and the first situation he appears in will "break the reader's heart," in the words of Hagiwara Hiromichi. In many ways Genji's future trajectory is defined by his mother's situation and her early death, but as of yet he doesn't understand what is happening. Meanwhile the Emperor hopes to keep Genji with him, but just as with Kiritsubo, his desires are thwarted by the social and cultural pressures that even the Emperor cannot go against.
 
= Supplementary Notes =
 
;例なきこと
:A longstanding comment on this
 
;見たてまつり給へるを
 
;よろしきことにだに...

Latest revision as of 18:43, 14 June 2024


Text

17オ

皇子みこはかくてもいと御覧ぜまほしけれど、かゝるほどにさぶらひ給ふ・例れいなきことなれば、まかで給ひ・なんとす。何事なにごとかあらんともおぼしたらず、さぶらふ人々の泣なき惑まどひ、うへも御涙なみだのひまなく流ながれおはしますを、あやしと見みたてまつり給へるを、よろしきことにだに、かゝる別わかれの悲かなしからぬはなきわざなるを、ましてあはれに言いふかひなし。

[The Emperor] wished very much to see the prince despite this, but since there was no example of someone being [in the palace] in a time like this, the child made to leave the palace. [The child] could not discern what was occurring, and he looked with wonder on the serving people's confused crying, and even His Highness' endlessly falling tears. Even in a normal situation, such a parting would be sad, and even more so the pathos [now] is impossible to describe.

Notes

Glossary / Grammar Reference

皇子は
The Emperor was unable to save Kiritsubo, but he wants "at least" (は) Genji to be there.
さぶらひ給ふ
This RT form could be seen as acting as a noun (...給うことは例なき) or as a modifier for 例 (in either case the general meaning is the same).
例なきこと
The concept of 例 as a precedent from history has previously occurred in the context of the worried courtiers bringing up the 例 of Yáng Guìfēi. Here, there is no 例 that will allow Genji to stay in the palace. かかるほど seems to refer to Genji having to wear mourning clothes*.
まかで給ひなんとす
The use of なん + と + す here normally indicates one's own intention to do something, but here it must refer to what those around him are going to have him do (解読).
見たてまつり給へるを
The たてまつり is humble (for Genji towards the Emperor) and the 給へる is honorific towards Genji.
The grammar of the を at the end of this sentence is difficult to parse since it seems to have no verb to connect to. One possibility is that the を acts like に対して and that the next part is an affective response to what has gone before (注釈)*.
よろしきことにだに...
Exactly what the よろしきこと and かかる別れ refer to is a subject of debate. The interpretation that occurs most commonly is "A parting between a parent and child would be sad in any case, but here when Genji has no idea what is going on, it's even more sorrowful."*
なきわざなるを
わざ here is similar to MJ というわけ providing an explanation (解読). The を seems to be "but"/"however."

Analysis

In this section we see Genji come into the narrative as an actual character, and the first situation he appears in will "break the reader's heart," in the words of Hagiwara Hiromichi. In many ways Genji's future trajectory is defined by his mother's situation and her early death, but as of yet he doesn't understand what is happening. Meanwhile the Emperor hopes to keep Genji with him, but just as with Kiritsubo, his desires are thwarted by the social and cultural pressures that even the Emperor cannot go against.

Supplementary Notes

例なきこと
A longstanding comment on this
見たてまつり給へるを
よろしきことにだに...
Retrieved from "http://jchristopherkern.com/Wiki/index.php?title=Kiritsubo_4-1&oldid=1845"