GSS 669: Difference between revisions
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Created page with "= Text = (77v) 題しらず 藤原治方 世のつねの ねをしなかねば 逢事の 涙の色も ことにぞありける = Translation = = Textual variants = * 藤原治方] 藤原春方（白） * ねをしなかねば] なりにし中は（堀*）、ねをしなかねど（片ィ）、ねにしなかねば（雲） = Other sources = = Notes = = Analysis =" |
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= Translation = | = Translation = | ||
Circumstance Unknown | |||
Fujiwara no Harukata | |||
I do not cry (2) / like the normal world (1) / so the color of the tears (4) / of our not-meeting (3) / are quite different, I see. | |||
= Textual variants = | = Textual variants = | ||
* 藤原治方] | * 藤原治方] 藤原春方（白・新ィ） | ||
* ねをしなかねば] なりにし中は（堀* | * ねをしなかねば] なりにし中は（堀*）、ねをしなかねど（片ィ）、ねにしなかねば（雲・新ィ） | ||
= Other sources = | = Other sources = | ||
= Notes = | = Notes = | ||
;世のつねの ねをしなかねば | |||
:There are two readings of this: | |||
::1. The crying is not the normal kind one would do -- it's much more fierce, thus tears of blood come out. (新抄、新注、和歌大系) | |||
::2. The poet is attempting to hold in his tears and not let them show before the world like most people do. (全釈、大系) | |||
;涙の色も | |||
:This plays on 逢ふ事の無み and the "blood tears" common in love poetry. The も is in addition to the voice (和歌大系) | |||
;ことにぞありける | |||
:異（こと）なりける, clefted to add ぞ in between. | |||
= Analysis = | = Analysis = | ||
The poet uses the well-worn image of the "tears of blood", but attempts to explain the reason why he is crying that way. 「涙が紅である理由に気付いたとの心」（新注） | |||
Latest revision as of 19:31, 5 October 2022
Text
(77v) 題しらず
藤原治方
世のつねの ねをしなかねば 逢事の 涙の色も ことにぞありける
Translation
Circumstance Unknown
Fujiwara no Harukata
I do not cry (2) / like the normal world (1) / so the color of the tears (4) / of our not-meeting (3) / are quite different, I see.
Textual variants
- 藤原治方] 藤原春方（白・新ィ）
- ねをしなかねば] なりにし中は（堀*）、ねをしなかねど（片ィ）、ねにしなかねば（雲・新ィ）
Other sources
Notes
- 世のつねの ねをしなかねば
- There are two readings of this:
- 1. The crying is not the normal kind one would do -- it's much more fierce, thus tears of blood come out. (新抄、新注、和歌大系)
- 2. The poet is attempting to hold in his tears and not let them show before the world like most people do. (全釈、大系)
- 涙の色も
- This plays on 逢ふ事の無み and the "blood tears" common in love poetry. The も is in addition to the voice (和歌大系)
- ことにぞありける
- 異（こと）なりける, clefted to add ぞ in between.
Analysis
The poet uses the well-worn image of the "tears of blood", but attempts to explain the reason why he is crying that way. 「涙が紅である理由に気付いたとの心」（新注）
