Kokinshu 24 - Revision history

Jchristo at 21:49, 5 February 2021

2021-02-05T21:49:40Z

← Older revision		Revision as of 21:49, 5 February 2021
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			[[Kokinshu 23\|Previous poem]] \| [[Kokinshu 25\|Next poem]]

	= Text =		= Text =

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	* 三十六人撰　深窓秘抄		* 三十六人撰　深窓秘抄
	* 古来風体抄　桐火桶　定家八代抄		* 古来風体抄　桐火桶　定家八代抄

			[[Kokinshu 23\|Previous poem]] \| [[Kokinshu 25\|Next poem]]

Jchristo: /* Analysis */

2021-01-18T22:11:13Z

Analysis

← Older revision		Revision as of 22:11, 18 January 2021
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	This poem appears in the {{Oldest\|Korai futeisho}} and the pseudo-Teika {{Teika\|Kiribioke}} in the list of good poems.		This poem appears in the {{Oldest\|Korai futeisho}} and the pseudo-Teika {{Teika\|Kiribioke}} in the list of good poems.

	The meaning is fairly clear -- the pine trees are known for being evergreen, but in the spring when everything is turning green, even the pine trees deepen one shade. The {{~~Kanera~~\|''Bishamon tendo chu''}} cites a Chinese precedent for this idea from the ''Wen Xuan''. Since pines are often on mountains, there is a connection from the previous poem's mountain wind to this one.		The meaning is fairly clear -- the pine trees are known for being evergreen, but in the spring when everything is turning green, even the pine trees deepen one shade. The {{Teika\|''Bishamon tendo chu''}} cites a Chinese precedent for this idea from the ''Wen Xuan''. Since pines are often on mountains, there is a connection from the previous poem's mountain wind to this one.

	There does seem to be some disagreement over whether pine trees actually deepen in color ({{Teika\|Jakuei}}, {{Modern\|Kaneko}}, many other 20th century scholars) or whether this is simply the perception of the poet because everything is turning green ({{Denju\|''Engoki''}},Takeoka).		There does seem to be some disagreement over whether pine trees actually deepen in color ({{Teika\|Jakuei}}, {{Modern\|Kaneko}}, many other 20th century scholars) or whether this is simply the perception of the poet because everything is turning green ({{Denju\|''Engoki''}},Takeoka).

Jchristo at 22:10, 18 January 2021

2021-01-18T22:10:56Z

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 = Translation =
 = Notes =
 = Analysis =
 = Other Sources =

Jchristo: Created page with "= Text = 寛平御時きさいの宮の歌合によめる源むねゆきの朝臣ときはなる　松のみどりも　春くれば　今ひとしほの　色まさり..."

2021-01-18T21:57:54Z

Created page with "= Text = 寛平御時きさいの宮の歌合によめる源むねゆきの朝臣ときはなる　松のみどりも　春くれば　今ひとしほの　色まさり..."

New page

= Text =

寛平御時きさいの宮の歌合によめる

源むねゆきの朝臣

ときはなる　松のみどりも　春くれば　今ひとしほの　色まさりけり

= Translation =

= Notes =

= Analysis =

= Other Sources =

* 新撰和歌１１
* 古今和歌六帖３５１１・もどり・宗于
* 和漢朗詠集４２７・宗于
* 宗于集９
* 寛平御時后宮歌合３９. vs くる春にあはむことこそかたからめ過行く方におくれずもがな
* 中宮亮重家朝臣家歌合１０４, 判詞. The Left's poem had suggested that pines do not know spring because they don't change, and the judge cited this poem as a poetic precedent that even pines changed a bit in spring.
* 俊成三十六人歌合６７. One of three poems of Muneyuki's selected by Shunzei.
* 若宮社歌合建久二年三月４６, 判詞. The Right's poem said that pines were notified of spring by the wind blowing across plum blossoms, and the judge cited this poem in support of the idea.
* 新時代不同歌合５５
* 三十六人撰　深窓秘抄
* 古来風体抄　桐火桶　定家八代抄

← Older revision		Revision as of 22:11, 18 January 2021
Line 33:		Line 33:
	This poem appears in the {{Oldest\|Korai futeisho}} and the pseudo-Teika {{Teika\|Kiribioke}} in the list of good poems.		This poem appears in the {{Oldest\|Korai futeisho}} and the pseudo-Teika {{Teika\|Kiribioke}} in the list of good poems.

	The meaning is fairly clear -- the pine trees are known for being evergreen, but in the spring when everything is turning green, even the pine trees deepen one shade. The {{~~Kanera~~\|''Bishamon tendo chu''}} cites a Chinese precedent for this idea from the ''Wen Xuan''. Since pines are often on mountains, there is a connection from the previous poem's mountain wind to this one.		The meaning is fairly clear -- the pine trees are known for being evergreen, but in the spring when everything is turning green, even the pine trees deepen one shade. The {{Teika\|''Bishamon tendo chu''}} cites a Chinese precedent for this idea from the ''Wen Xuan''. Since pines are often on mountains, there is a connection from the previous poem's mountain wind to this one.

	There does seem to be some disagreement over whether pine trees actually deepen in color ({{Teika\|Jakuei}}, {{Modern\|Kaneko}}, many other 20th century scholars) or whether this is simply the perception of the poet because everything is turning green ({{Denju\|''Engoki''}},Takeoka).		There does seem to be some disagreement over whether pine trees actually deepen in color ({{Teika\|Jakuei}}, {{Modern\|Kaneko}}, many other 20th century scholars) or whether this is simply the perception of the poet because everything is turning green ({{Denju\|''Engoki''}},Takeoka).

Kokinshu 24 - Revision history

Jchristo at 21:49, 5 February 2021

Jchristo: /* Analysis */

Jchristo at 22:10, 18 January 2021

Jchristo: Created page with "= Text = 寛平御時きさいの宮の歌合によめる 源むねゆきの朝臣 ときはなる 松のみどりも 春くれば 今ひとしほの 色まさり..."

Jchristo: Created page with "= Text = 寛平御時きさいの宮の歌合によめる源むねゆきの朝臣ときはなる　松のみどりも　春くれば　今ひとしほの　色まさり..."