Gosenshu 4 - Revision history

Jchristo: /* 213 */

2023-06-21T19:26:43Z

213

← Older revision		Revision as of 19:26, 21 June 2023
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	;I shall		;I shall
	:The use of the ''to'' particle here is not clear; Keichu and Norinaga both thought it was a mistake for ''mo'', and most modern commentators translate it as ''ware mo'' without explanation.		:The use of the ''to'' particle here is not clear; Keichu and Norinaga both thought it was a mistake for ''mo'', and most modern commentators translate it as ''ware mo'' without explanation.　WBKT has it as ''ware to'' meaning "from my own power."

	--		--

Jchristo: /* 147 */

2022-05-02T14:33:00Z

147

← Older revision		Revision as of 14:33, 2 May 2022
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	今日よりは　夏の衣に　成<ruby>り<rt>・</rt></ruby>ぬれど　きるひとさへは　かはらざりけり		今日よりは　夏の衣に　成<ruby>り<rt>・</rt></ruby>ぬれど　きるひとさへは　かはらざりけり

	From today \ it has become (3) \ the summer clothing (2), but \ the wearers themselves \ do not change, I see.		From today / it has become (3) / the summer clothing (2), but / the wearers themselves / do not change, I see.

	;さへは		;さへは
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	--		--

	The summer volume begins with a set of anonymous poems, beginning with two that have no contexts or authors, introducing some of the significant imagery of the first section.		The summer volume begins with a set of anonymous poems, beginning with two that have no contexts or authors, introducing some of the significant imagery of the first section. However, this poem is attributed to Mitsune in a poetry competition; perhaps the GSS compilers suppressed the context to make the meaning more mysterious or universal.

	As the weather gets hotter, people change to lighter summer clothing. Katagiri notes that the focus on the hearts of people is characteristic of the GSS, but it's hard to say exactly what the meaning is. The use of ''hito'' suggests a love poem with a woman complaining about a man, as in Kigin's reading. But perhaps because this is the opposite of the usual changing hearts of men, Kifune says that the ''hito'' is actually the poet herself, and it's her sorrow that doesn't change. Katagiri seems to take this in a more general sense -- people's hearts are not like the light clothing we change into, and thus stay the same.		As the weather gets hotter, people change to lighter summer clothing. Katagiri notes that the focus on the hearts of people is characteristic of the GSS, but it's hard to say exactly what the meaning is. The use of ''hito'' suggests a love poem with a woman complaining about a man, as in Kigin's reading. But perhaps because this is the opposite of the usual changing hearts of men, Kifune says that the ''hito'' is actually the poet herself, and it's her sorrow that doesn't change. Katagiri seems to take this in a more general sense -- people's hearts are not like the light clothing we change into, and thus stay the same.

Jchristo: /* 148 */

2022-03-23T20:09:29Z

148

← Older revision		Revision as of 20:09, 23 March 2022
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	万葉集〔８Ｃ後〕一〇・一九八八「うぐひすの通ふ垣根（かきね）の卯の花のうき事あれや君が来まさぬ〈作者未詳〉」		万葉集〔８Ｃ後〕一〇・一九八八「うぐひすの通ふ垣根（かきね）の卯の花のうき事あれや君が来まさぬ〈作者未詳〉」

	--

	Other sources:		Other sources:
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	* 家持集７０, 2nd line にほふさつきの		* 家持集７０, 2nd line にほふさつきの
	* 伊勢集４４３, 2nd line にほふさかりは(I, II, IV -- III contains two versions of the poem, one with さつきの, one with さかりは)		* 伊勢集４４３, 2nd line にほふさかりは(I, II, IV -- III contains two versions of the poem, one with さつきの, one with さかりは)

	--

	<!-- Old commentaries:		<!-- Old commentaries:

Jchristo: /* 148 */

2022-03-23T20:09:13Z

148

← Older revision		Revision as of 20:09, 23 March 2022
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	::月をだにあかず思ひてねぬものをほととぎすさへなきわたるかな		::月をだにあかず思ひてねぬものをほととぎすさへなきわたるかな
	::I cannot sleep, thinking longingly of the moon, and even the warbler continues to cry. (''Kokin waka rokujo'' 4430, Ki no Tsurayuki)		::I cannot sleep, thinking longingly of the moon, and even the warbler continues to cry. (''Kokin waka rokujo'' 4430, Ki no Tsurayuki)

			万葉集〔８Ｃ後〕一〇・一九八八「うぐひすの通ふ垣根（かきね）の卯の花のうき事あれや君が来まさぬ〈作者未詳〉」

	--		--
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	--		--

	Old commentaries:		<!-- Old commentaries:
	;八代集抄		;八代集抄
	:卯の花咲く、月清く面白きに、時鳥さへなければ、ただにもいぬまじき夜に、いよいよ興ある心をよめり。		:卯の花咲く、月清く面白きに、時鳥さへなければ、ただにもいぬまじき夜に、いよいよ興ある心をよめり。
	;新抄		;新抄
	:六帖(4430)に「月をだにあかず思ひてねぬものを時鳥さへ鳴きわたるかな」とあるなどに似たる趣意なり。		:六帖(4430)に「月をだにあかず思ひてねぬものを時鳥さへ鳴きわたるかな」とあるなどに似たる趣意なり。!-->

	== 149 ==		== 149 ==

Jchristo: /* 147 */

2022-02-16T19:23:03Z

147

← Older revision		Revision as of 19:23, 16 February 2022
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	今日よりは　夏の衣に　成<ruby>り<rt>・</rt></ruby>ぬれど　きるひとさへは　かはらざりけり		今日よりは　夏の衣に　成<ruby>り<rt>・</rt></ruby>ぬれど　きるひとさへは　かはらざりけり

	From today \ the summer clothing ~~\ we begin to wear~~, but \ the wearers themselves \ do not change, I see.		From today \ it has become (3) \ the summer clothing (2), but \ the wearers themselves \ do not change, I see.

	;さへは		;さへは

Jchristo: /* 147 */

2022-02-16T19:21:50Z

147

← Older revision		Revision as of 19:21, 16 February 2022
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	:夏になりて、夏の服を<ruby>更<rt>か</rt></ruby>へ改めつれど、着る人までは変はらざるに、となり。続古今（雑上　源重行女 [1542])「けふ見れば夏の衣になりぬれどうきはかはらぬ身をいかにせん」とあるなどをも引き合わせて心得べし。		:夏になりて、夏の服を<ruby>更<rt>か</rt></ruby>へ改めつれど、着る人までは変はらざるに、となり。続古今（雑上　源重行女 [1542])「けふ見れば夏の衣になりぬれどうきはかはらぬ身をいかにせん」とあるなどをも引き合わせて心得べし。
	:四の句の「さへ」は、俗に「まで」といふに近し。拾遺（雑春 [1002])「あたらしき年にはあれども鶯の鳴く音さへにはかはらざりけり」などの類なり。		:四の句の「さへ」は、俗に「まで」といふに近し。拾遺（雑春 [1002])「あたらしき年にはあれども鶯の鳴く音さへにはかはらざりけり」などの類なり。
	:さて、更衣の日は、衣服のみならず、几帳の<ruby>帷<rt>かたびら</rt></ruby>などまでもかふる事にて、[源氏物語の]葵巻（四十四葉）に、「西の対にわたり給へり。衣がへの御しつらひくもりなく、あざやかに見てて云々」（但、この葵巻なるは、十月の更衣なれど、そのさまは同じ）などあるが如く、移り変はりたるさま、まことにきはぎはと目にもたつ事なれば、「着る人さへは」云々と、思ひよせらるるなるべし。この所をよく心してみるべきなり。（今の世の、下さまの者のさまなどに思ひくらべて見ては、かかる深き心ばへは心得がたし。かくいふは、この歌のみにいふにはあらず、ことのついでにおどろかしおくなり。すべていにしへの歌を見るには、その時その所のありさまをよく思ひわたして心得べきなり。）--!>		:さて、更衣の日は、衣服のみならず、几帳の<ruby>帷<rt>かたびら</rt></ruby>などまでもかふる事にて、[源氏物語の]葵巻（四十四葉）に、「西の対にわたり給へり。衣がへの御しつらひくもりなく、あざやかに見てて云々」（但、この葵巻なるは、十月の更衣なれど、そのさまは同じ）などあるが如く、移り変はりたるさま、まことにきはぎはと目にもたつ事なれば、「着る人さへは」云々と、思ひよせらるるなるべし。この所をよく心してみるべきなり。（今の世の、下さまの者のさまなどに思ひくらべて見ては、かかる深き心ばへは心得がたし。かくいふは、この歌のみにいふにはあらず、ことのついでにおどろかしおくなり。すべていにしへの歌を見るには、その時その所のありさまをよく思ひわたして心得べきなり。）!-->

	== 148 ==		== 148 ==

Jchristo: /* 147 */

2022-02-16T19:21:33Z

147

← Older revision		Revision as of 19:21, 16 February 2022
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	* 袋草子 - includes the poetry competition. This version's judgment specifies that the fourth line was あぢきなし.		* 袋草子 - includes the poetry competition. This version's judgment specifies that the fourth line was あぢきなし.

	--		<!--

	Old commentaries:		Old commentaries:
	;八代集抄		;八代集抄
Line 55:		Line 54:
	:夏になりて、夏の服を<ruby>更<rt>か</rt></ruby>へ改めつれど、着る人までは変はらざるに、となり。続古今（雑上　源重行女 [1542])「けふ見れば夏の衣になりぬれどうきはかはらぬ身をいかにせん」とあるなどをも引き合わせて心得べし。		:夏になりて、夏の服を<ruby>更<rt>か</rt></ruby>へ改めつれど、着る人までは変はらざるに、となり。続古今（雑上　源重行女 [1542])「けふ見れば夏の衣になりぬれどうきはかはらぬ身をいかにせん」とあるなどをも引き合わせて心得べし。
	:四の句の「さへ」は、俗に「まで」といふに近し。拾遺（雑春 [1002])「あたらしき年にはあれども鶯の鳴く音さへにはかはらざりけり」などの類なり。		:四の句の「さへ」は、俗に「まで」といふに近し。拾遺（雑春 [1002])「あたらしき年にはあれども鶯の鳴く音さへにはかはらざりけり」などの類なり。
	:さて、更衣の日は、衣服のみならず、几帳の<ruby>帷<rt>かたびら</rt></ruby>などまでもかふる事にて、[源氏物語の]葵巻（四十四葉）に、「西の対にわたり給へり。衣がへの御しつらひくもりなく、あざやかに見てて云々」（但、この葵巻なるは、十月の更衣なれど、そのさまは同じ）などあるが如く、移り変はりたるさま、まことにきはぎはと目にもたつ事なれば、「着る人さへは」云々と、思ひよせらるるなるべし。この所をよく心してみるべきなり。（今の世の、下さまの者のさまなどに思ひくらべて見ては、かかる深き心ばへは心得がたし。かくいふは、この歌のみにいふにはあらず、ことのついでにおどろかしおくなり。すべていにしへの歌を見るには、その時その所のありさまをよく思ひわたして心得べきなり。）		:さて、更衣の日は、衣服のみならず、几帳の<ruby>帷<rt>かたびら</rt></ruby>などまでもかふる事にて、[源氏物語の]葵巻（四十四葉）に、「西の対にわたり給へり。衣がへの御しつらひくもりなく、あざやかに見てて云々」（但、この葵巻なるは、十月の更衣なれど、そのさまは同じ）などあるが如く、移り変はりたるさま、まことにきはぎはと目にもたつ事なれば、「着る人さへは」云々と、思ひよせらるるなるべし。この所をよく心してみるべきなり。（今の世の、下さまの者のさまなどに思ひくらべて見ては、かかる深き心ばへは心得がたし。かくいふは、この歌のみにいふにはあらず、ことのついでにおどろかしおくなり。すべていにしへの歌を見るには、その時その所のありさまをよく思ひわたして心得べきなり。）--!>

	== 148 ==		== 148 ==

Jchristo: /* 148 */

2021-12-16T19:06:12Z

148

← Older revision		Revision as of 19:06, 16 December 2021
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	On a fence where bloom (2) / the deutzia flowers (1) / the moon is bright, and so / don't leave and listen, it seems, / the cuckoo cries.		On a fence where bloom (2) / the deutzia flowers (1) / the moon is bright, and so / don't leave and listen, it seems, / the cuckoo cries.

			;月きよみ
			:The み here is "therefore". The word きよし is used most often with water. Takeoka suggests in the context of KKS 316 that it indicates a "cold" light rather than simply clear or beautiful, but 316 is a winter poem. Here it would seem to have more of a "clear" meaning, to create the image of this scene illuminated by bright moonlight on a cloudless night.

			;いねずきけとや
			:「去ねず聞け」とや. The や indicates supposition on the poet's part.

	;The cuckoo cries		;The cuckoo cries
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	The ''u no hana'' (deutzia) appears in only one late summer poem in the KKS (164), but starting with the GSS it becomes a major seasonal image of early summer. It often occurs with warblers or the moon, but Kifune suggests this is the first poem to combine all three images.		The ''u no hana'' (deutzia) appears in only one late summer poem in the KKS (164), but starting with the GSS it becomes a major seasonal image of early summer. It often occurs with warblers or the moon, but Kifune suggests this is the first poem to combine all three images.

	Kigin and Kudo both note how this poem paints a picture in the first three lines and then adds sound in the last one. Perhaps this was originally a screen painting. It also occurs in both the ''Ise Collection'' and the ''Yakamochi Collection'' with a different second line ~~(にほふさかりの - "in profusely blooming beauty~~.")		Kigin and Kudo both note how this poem paints a picture in the first three lines and then adds sound in the last one. Perhaps this was originally a screen painting. It also occurs in both the ''Ise Collection'' and the ''Yakamochi Collection'' with a different second line.

	::月をだにあかず思ひてねぬものをほととぎすさへなきわたるかな		::月をだにあかず思ひてねぬものをほととぎすさへなきわたるかな

Jchristo at 18:31, 16 December 2021

2021-12-16T18:31:18Z

← Older revision		Revision as of 18:31, 16 December 2021
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	"Summer clothes" is not a common seasonal image in ''waka''. The word なつごろも is mostly used as a 枕詞, with only a handful of poems in the first eight collections referring to actual summer clothing.		"Summer clothes" is not a common seasonal image in ''waka''. The word なつごろも is mostly used as a 枕詞, with only a handful of poems in the first eight collections referring to actual summer clothing.

			--

	Other sources:		Other sources:
	* 亭子院歌合４２, topic 四月, 躬恒. vs. みやまいでてまづはつこゑはほととぎすよぶかくまたむわがやどになけ by 雅固. Mitsune's poem loses. Uda's comments: みぎあぢきなしとてまく.		* 亭子院歌合４２, topic 四月, 躬恒. vs. みやまいでてまづはつこゑはほととぎすよぶかくまたむわがやどになけ by 雅固. Mitsune's poem loses. Uda's comments: みぎあぢきなしとてまく.
	* 袋草子 - includes the poetry competition. This version's judgment specifies that the fourth line was あぢきなし.		* 袋草子 - includes the poetry competition. This version's judgment specifies that the fourth line was あぢきなし.

			--

	Old commentaries:		Old commentaries:
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	== 148 ==		== 148 ==

			* 歌ナシ（荒）

	[Circumstance unknown] [Poet unknown]		[Circumstance unknown] [Poet unknown]

	~~卯の花のさけるかきねの月きよみいねずきけとやなくほととぎす~~		卯の花の　さけるかきねの　月きよみ　いねずきけとや　なくほととぎす

	~~u no hana no The moon shines brightly~~		On a fence where bloom (2) / the deutzia flowers (1) / the moon is bright, and so / don't leave and listen, it seems, / the cuckoo cries.
	~~sake-ru kakine no~~ On a fence where deutzia
	~~tuki kiyo-mi Flowers are blooming,~~
	~~ine-zu kike to ya So it seems~~ the ~~cuckoo cries~~,
	~~naku hototogisu "Don~~'t leave~~, but stay~~ and listen!"

	;The cuckoo cries		;The cuckoo cries
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	::月をだにあかず思ひてねぬものをほととぎすさへなきわたるかな		::月をだにあかず思ひてねぬものをほととぎすさへなきわたるかな
	::I cannot sleep, thinking longingly of the moon, and even the warbler continues to cry. (''Kokin waka rokujo'', Ki no Tsurayuki)		::I cannot sleep, thinking longingly of the moon, and even the warbler continues to cry. (''Kokin waka rokujo'' 4430, Ki no Tsurayuki)

			--

			Other sources:

			* 夫木和歌集２８０１（家持）, 2nd line にほふさつきの
			* 家持集７０, 2nd line にほふさつきの
			* 伊勢集４４３, 2nd line にほふさかりは(I, II, IV -- III contains two versions of the poem, one with さつきの, one with さかりは)

			--

			Old commentaries:
			;八代集抄
			:卯の花咲く、月清く面白きに、時鳥さへなければ、ただにもいぬまじき夜に、いよいよ興ある心をよめり。
			;新抄
			:六帖(4430)に「月をだにあかず思ひてねぬものを時鳥さへ鳴きわたるかな」とあるなどに似たる趣意なり。

	== 149 ==		== 149 ==

Jchristo: /* 147 */

2021-11-08T17:44:26Z

147

← Older revision		Revision as of 17:44, 8 November 2021
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	:夏になりて、春の服をかへあらためたれど、夏衣をきる人はかはらずと也。首夏の祝儀を心にこめて、いつまでもあひかはらず、との心をいへるにや。		:夏になりて、春の服をかへあらためたれど、夏衣をきる人はかはらずと也。首夏の祝儀を心にこめて、いつまでもあひかはらず、との心をいへるにや。
	;新抄		;新抄
			:夏になりて、夏の服を<ruby>更<rt>か</rt></ruby>へ改めつれど、着る人までは変はらざるに、となり。続古今（雑上　源重行女 [1542])「けふ見れば夏の衣になりぬれどうきはかはらぬ身をいかにせん」とあるなどをも引き合わせて心得べし。
			:四の句の「さへ」は、俗に「まで」といふに近し。拾遺（雑春 [1002])「あたらしき年にはあれども鶯の鳴く音さへにはかはらざりけり」などの類なり。
			:さて、更衣の日は、衣服のみならず、几帳の<ruby>帷<rt>かたびら</rt></ruby>などまでもかふる事にて、[源氏物語の]葵巻（四十四葉）に、「西の対にわたり給へり。衣がへの御しつらひくもりなく、あざやかに見てて云々」（但、この葵巻なるは、十月の更衣なれど、そのさまは同じ）などあるが如く、移り変はりたるさま、まことにきはぎはと目にもたつ事なれば、「着る人さへは」云々と、思ひよせらるるなるべし。この所をよく心してみるべきなり。（今の世の、下さまの者のさまなどに思ひくらべて見ては、かかる深き心ばへは心得がたし。かくいふは、この歌のみにいふにはあらず、ことのついでにおどろかしおくなり。すべていにしへの歌を見るには、その時その所のありさまをよく思ひわたして心得べきなり。）

	== 148 ==		== 148 ==