Gosenshu 2 - Revision history

Jchristo at 19:50, 7 April 2021

2021-04-07T19:50:32Z

← Older revision		Revision as of 19:50, 7 April 2021
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			__NOTOC__

	=Gosenshu Volume 2: Spring 2 後撰和歌集巻第二　春中=		=Gosenshu Volume 2: Spring 2 後撰和歌集巻第二　春中=

Jchristo: /* 71 */

2020-09-09T20:52:35Z

← Older revision		Revision as of 20:52, 9 September 2020
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	--		--

	~~Daini~~ counters Asatada's resentment with her own poem of resentment, as is normal for love poetry. She suggests that he has already shown signs of abandoning her.		Shoni counters Asatada's resentment with her own poem of resentment, as is normal for love poetry. She suggests that he has already shown signs of abandoning her.

	== 72 ==		== 72 ==

Jchristo: /* 70 */

2020-09-09T20:49:49Z

← Older revision		Revision as of 20:49, 9 September 2020
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	;Shoni		;Shoni
	:This is probably a woman at court. She may be the same as ''Shoni Wet Nurse'', who has one poem in the Miscellaneous section, or ''Shoni no Myobu'' who has three poems in the SIS.		:This is probably a woman at court. She may be the same as "Shoni Wet Nurse", who has one poem in the Miscellaneous section, or "Shoni no Myobu" who has three poems in the SIS.

	;Flowers		;Flowers

Jchristo: /* 70 */

2020-09-09T20:47:54Z

← Older revision		Revision as of 20:47, 9 September 2020
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	iri ya sina-masi In the mountain not thought of.		iri ya sina-masi In the mountain not thought of.

	;~~Daini~~		;Shoni
	:This is probably a woman at court.		:This is probably a woman at court. She may be the same as ''Shoni Wet Nurse'', who has one poem in the Miscellaneous section, or ''Shoni no Myobu'' who has three poems in the SIS.

	;Flowers		;Flowers

Jchristo: /* 70 */

2020-09-09T20:46:32Z

← Older revision		Revision as of 20:46, 9 September 2020
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	== 70 ==		== 70 ==

	~~第弐につかはしける~~		小弐につかはしける

	Sent to ~~Daini~~.		Sent to Shoni.

	藤原朝忠朝臣		藤原朝忠朝臣

Jchristo: /* V3 */

2020-01-20T18:54:47Z

← Older revision		Revision as of 18:54, 20 January 2020
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	This is the same as KKS 577, except that in the KKS it is given as "topic unknown". [Later see if the Chisato-shu has this preface]		This is the same as KKS 577, except that in the KKS it is given as "topic unknown". [Later see if the Chisato-shu has this preface]

	<!== = Appendix 2: Teika's Annotations =		<!-- = Appendix 2: Teika's Annotations =

	;Poem 47, "Lord Fujiwara no Sukemoto"		;Poem 47, "Lord Fujiwara no Sukemoto"

Jchristo: /* Appendix 2: Teika's Annotations */

2020-01-20T18:54:32Z

Appendix 2: Teika's Annotations

← Older revision		Revision as of 18:54, 20 January 2020
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	This is the same as KKS 577, except that in the KKS it is given as "topic unknown". [Later see if the Chisato-shu has this preface]		This is the same as KKS 577, except that in the KKS it is given as "topic unknown". [Later see if the Chisato-shu has this preface]

	= Appendix 2: Teika's Annotations =		<!== = Appendix 2: Teika's Annotations =

	;Poem 47, "Lord Fujiwara no Sukemoto"		;Poem 47, "Lord Fujiwara no Sukemoto"
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	;Poem 72		;Poem 72
	:''Itonaki'' means ''itomanaki'' ("No resting.") (''Hekiansho'')		:''Itonaki'' means ''itomanaki'' ("No resting.") (''Hekiansho'') -->


	Copyright 2019, J. Christopher Kern.		Copyright 2019, J. Christopher Kern.

Jchristo at 20:43, 15 November 2019

2019-11-15T20:43:14Z

← Older revision		Revision as of 20:43, 15 November 2019
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	このはなのこころのうちに我こひはいくらこもれりたれにとはまし		このはなのこころのうちに我こひはいくらこもれりたれにとはまし

	kono hana no ~~In the heart~~		kono hana no This flower I send,
	kokoro no uti ni ~~Deep within this flower --~~		kokoro no uti ni In the depths of its heart,
	waga kohi ha My love,		waga kohi ha My love for you,
	ikura komoreri How much of it is buried?		ikura komoreri How much of it is buried?
	tare ni toha-masi Who can I possibly ask?		tare ni toha-masi Who can I possibly ask?
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	ohozora ni If it is a love		ohozora ni If it is a love
	mitu to mo mie-nu That cannot be seen though it ~~cover~~		mitu to mo mie-nu That cannot be seen though it
	kohi nare-ba ~~The~~ wide sky,		kohi nare-ba Cover the wide sky,
	ikura bakari ka How can it possibly be		ikura bakari ka How can it possibly be
	hana ni komu-ran Shut up in a flower?		hana ni komu-ran Shut up inside a flower?

	--		--
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	harusame ni If I am asked,		harusame ni If I am asked,
	nure-si tamoto to I will say that my sleeves		nure-si tamoto to I will say that my sleeves
	toha-ba kotahe-n Were drenched by spring rain.		toha-ba kotahe-n Were drenched through by the spring rain.

	--		--
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	= Appendix 2: Teika's Annotations =		= Appendix 2: Teika's Annotations =

	;Poem 47		;Poem 47, "Lord Fujiwara no Sukemoto"
			:Grand Counselor, Acting. Died in the 7th month of the first year of Tengyo, age 75.

	;Poem 48		;Poem 48, "Lord Fujiwara no Korehira"
			:Made a Minor Counselor of the Right in Engi 16, and a Secretary in the 7th year. In Encho 3 he was raised to the fourth rank. In the same month be became a Captain. In Encho 8...

			;Poem 48, "Yodokone"
	:''Yodokone'' is a word that clearly expresses a place you sleep at night. The phrase ''asai serarezu'' is also a private word, but in old poems, they wrote on things just as they were, so this sort of language is frequently used. (''Hekiansho'')		:''Yodokone'' is a word that clearly expresses a place you sleep at night. The phrase ''asai serarezu'' is also a private word, but in old poems, they wrote on things just as they were, so this sort of language is frequently used. (''Hekiansho'')

Jchristo at 17:23, 15 November 2019

2019-11-15T17:23:29Z

Show changes

Jchristo at 16:10, 15 November 2019

2019-11-15T16:10:27Z

← Older revision		Revision as of 16:10, 15 November 2019
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	== 66 ==		== 66 ==

	~~「はるさめのふらば思ひのきえもせでいとゞなげきのめをもやすらん」といふふるうたの心ばへを、女につかはしたりければ~~		「春雨の降らば思ひのきえもせでいとどなげきのめをもやすらん」といふ古歌の心ばへを、女につかはしたりければ

	When [someone] sent a letter to a woman with the feeling of this old poem: "If spring rains fall, the fire of my thoughts will not disappear, and even more will the buds of my laments grow."		When [someone] sent a letter to a woman with the feeling of this old poem: "If spring rains fall, the fire of my thoughts will not disappear, and even more will the buds of my laments grow."
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	[Poet unknown]		[Poet unknown]

	~~もえ渡る歎は春のさがなればおほかたにこそあはれとも見れ~~		もえ渡る歎きは春のさがなればおほかたにこそあはれとも見れ

	moe-wataru The steady blooming		moe-wataru The steady blooming
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	Lord Fujiwara no Moromasa		Lord Fujiwara no Moromasa

	~~あをやぎのいとつれなくもなりゆくかいかなるすぢに思よらまし~~		あをやぎのいとつれなくもなりゆくかいかなるすぢに思ひよらまし

	awoyagi no The blue willow's thread:		awoyagi no The blue willow's thread:
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	== 68 ==		== 68 ==

	~~衛門のみやすん所の家、うづまさに侍けるに、そこの花おもしろかなりとて、おりにつかはしたりければ、きこえたりける~~		衛門のみやすん所の家、うづまさに侍りけるに、そこの花おもしろかなりとて、折につかはしたりければ、聞こえたりける

	When the Consort [who was the daughter of] the Gate Watch's house was in Uzumasa, [The Emperor] sent her a message saying "I hear the flowers are beautiful there," and so she sent this poem.		When the Consort [who was the daughter of] the Gate Watch's house was in Uzumasa, [The Emperor] sent her a message saying "I hear the flowers are beautiful there," and so she sent this poem.
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	Miyaji no Takakaze		Miyaji no Takakaze

	~~春の池の玉もに遊にほどりのあしのいとなきこひもする哉~~		春の池の玉もに遊びにほどりのあしのいとなきこひもするかな

	haru no ike no ~~Like the legs~~		haru no ike no On a lake in spring
	tamamo ni asobu ~~Of a grebe playing~~ in the weeds		tamamo ni asobu Playing in the jewelled weeds
	nihodori no ~~On a spring lake~~		nihodori no The grebe's legs furious
	asi no itonaki ~~Furiously churn~~ beneath the surface,		asi no itonaki Churning beneath the surface,
	kohi mo suru kana So do I long for you ~~without end~~.		kohi mo suru kana Like that do I long for you.

	;Grebe		;Grebe
	:The ''nihodori'' is a rare image in Heian poetry, although it makes other appearances in the ~~''Man'yoshu''~~. GSS 72 seems to be the only spring poem that uses the bird.		:The ''nihodori'' is a rare image in Heian poetry, although it makes other appearances in the MYS. GSS 72 seems to be the only spring poem that uses the bird.

	;Legs		;Legs
	:The ''Waka domosho'' notes that the bird appears calm on the surface, but below the surface the legs are churning rapidly to move the bird. Thus the first four lines of this poem are all a poetic preface leading into ''itonaki'', representing the poet's neverending longing.		:The ''Waka domosho'' notes that the bird appears calm on the surface, but below the surface the legs are churning rapidly to move the bird. Thus the first four lines of this poem are all a poetic preface leading into ''itonaki'', representing the poet's neverending longing. The first four lines also serve as a metaphor for the man that is calm on the surface but with a troubled heart.

	--		--
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	Fujiwara no Okikaze		Fujiwara no Okikaze

	~~山風の花のかゝどふゝもとには春の霞ぞほだしなりける~~		山風の花のかかどふふもとには春の霞ぞほだしなりける

	yamakaze no At the mountain's foot,		yamakaze no At the mountain's foot,
	hana no ka kadohu Where the mountain wind sends ~~the fragrance~~,		hana no ka kadohu Where the mountain wind sends forth,
	humoto ni ha ~~To invite me~~,		humoto ni ha The inviting scent,
	haru no kasumi zo ~~It's the~~ spring mist		haru no kasumi zo The spring mist is just the thing
	hodasi nari keru That ~~acts to block~~ my path.		hodasi nari keru That blocks my path to the blooms.

	;Invite		;Invite
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	春さめの世にふりにたる心にも猶あたらしく花をこそおもへ		春さめの世にふりにたる心にも猶あたらしく花をこそおもへ

	harusame no Even ~~for a~~ heart		harusame no Even though my heart
	yo ni huri-ni-taru ~~That has grown~~ old		yo ni huri-ni-taru Is growing old in the world,
	kokoro ni mo In the spring rain		kokoro ni mo In the spring rain,
	naho atarasiku I indeed reproachfully		naho atarasiku I indeed reproachfully
	hana wo koso omohe ~~Think~~ of those flowers!		hana wo koso omohe Still think of just those flowers!

	;growing old		;growing old