Gosenshu 10 - Revision history

Jchristo: /* 699 */

2025-01-14T16:40:53Z

699

← Older revision		Revision as of 16:40, 14 January 2025
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	返し		返し

	* 作者ナシ] ~~をとこ（荒・坊）、読み人知らず（雲）~~		* 作者ナシ] をとこ（荒・坊）、読み人知らず（雲）、源庶明朝臣（全釈）

	かれずとも　いかゝたのまむ　なでしこの　花はときはの　いろにしあらねば		かれずとも　いかゝたのまむ　なでしこの　花はときはの　いろにしあらねば

	* かれずとも] かれずとは（堀）		* かれずとも] かれずとは（堀）
	* いろにしあらねば]　ものにもあらねば（堀*~~）、ものにしあらねば（荒）~~		* なでしこ] とこなつ（新ィ）- Nakayama thought this was a better reading because of the play on 床.
			* いろにしあらねば]　ものにもあらねば（堀*）、ものにしあらねば（荒・新ィ）

			「又つれなき心をいへり」（八代集抄）

			See poem 202 いろといへど...（標柱）

			KKR: 朝顔の昨日の花は枯れずとも人の心をいかがたのまむ

			The poem picks up on the かれせぬ物 from the previous poem, and thus has ときは (how can I trust it even if it doesn't wither, since it's not evergreen). (Kudo interprets this as "How can I trust that it will not wither").

			Kifune, interpreting this as Moroakira's response, says that it is accusing the woman of having an inconstant heart. This may be Moroakira giving up on the relationship.

			Kudo says that this inverts the usual idea of the nadeshiko as the woman, pointing to the flower that was sent.

	= V1 =		= V1 =

Jchristo: /* 699 */

2025-01-14T16:32:23Z

699

← Older revision		Revision as of 16:32, 14 January 2025
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	== 699 ==		== 699 ==

			* 歌ナシ（片）

			返し

			* 作者ナシ] をとこ（荒・坊）、読み人知らず（雲）

			かれずとも　いかゝたのまむ　なでしこの　花はときはの　いろにしあらねば

			* かれずとも] かれずとは（堀）
			* いろにしあらねば]　ものにもあらねば（堀*）、ものにしあらねば（荒）

	= V1 =		= V1 =

Jchristo: /* 698 */

2025-01-13T20:39:58Z

698

← Older revision		Revision as of 20:39, 13 January 2025
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	* なでしこ] とこなつ（八*・新ィ）		* なでしこ] とこなつ（八*・新ィ）

	Kigin interprets this as the woman's response poem to 697, saying "please trust me." Norinaga agreed, but also labeled the poem 聞こえにくし.　Nakayama notes it's an unusual response and tentatively supports Kigin's reading, but he goes on to explain a number of other possibilities in great detail.		Kigin interprets this as the woman's response poem to 697, saying "please trust me." Norinaga agreed, but also labeled the poem 聞こえにくし.　Nakayama notes it's an unusual response and tentatively supports Kigin's reading, but he goes on to explain a number of other possibilities in great detail:

			* If we take the dew as tears and ignore the かくある possibility of line 2: Love is the seed of worry and should cause tears, but when I say things in such a devoted way, I can no longer separate my thoughts and it's natural that we ended up here.
			* かかるもの means "a person of my standing"; I know I have this status but even so I can't stop thinking of you.
			* The above meaning but in a jesting way; even though I'm not serious I now cannot stop thinking of you.

			Nakayama says that none of these three possibilities really fit with the situation since they haven't met yet; so there must be some specific reason for the 離せぬ phrasing. Perhaps it means that the 宮づかへする women are known to be 心軽きさま, and so she is more involved than she expected.

			Kifune's reading is that the とこなつ originally had dew on it but when it reaches the man it's no longer wet, and it represents another woman that the man is seeing (or perhaps herself).

			Kudo seems to be the first to read this instead as a second poem by Moroakira rather than a response by the woman. He apologizes for his business and not being able to see her. In a supplementary note he explains the problems with reading this as a woman's poem but notes it is possible. Tokuhara also assigns this poem to Moroakira; having not received a response from the woman, he tries again. Katagiri also supports reading this as Moroakira's poem.

	== 699 ==		== 699 ==

Jchristo: /* 698 */

2025-01-13T16:46:44Z

698

← Older revision		Revision as of 16:46, 13 January 2025
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	かくてをこせて侍けれど、宮づかへする人なりければ、いとまなくて、又のあしたに、とこなつの花につけてをこせて侍ける		かくてをこせて侍けれど、宮づかへする人なりければ、いとまなくて、又のあしたに、とこなつの花につけてをこせて侍ける

	* 作者ナシ] よみ人しらず（中・承・正・八*）		* 作者ナシ] よみ人しらず（中・承・正・八*・新ィ・全釈）. Norinaga agreed with this reading, and also deleted most of the preface as 用なし. Nakayama mentions the latter element but disagrees somewhat.

	をくつゆの　かゝる物とは　おもへども　かれせぬ物は　なでしこのはな		をくつゆの　かゝる物とは　おもへども　かれせぬ物は　なでしこのはな
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	* かかる] かへる（堀*）		* かかる] かへる（堀*）
	* 物とは] 物とや（慶）		* 物とは] 物とや（慶）
	* おもへども] しりながら（堀*~~）、おもふらん（雲・慶）~~		* おもへども] しりながら（堀*）、おもふらん（雲・慶・新ィ）
	* なでしこ] とこなつ（八*）		* なでしこ] とこなつ（八*・新ィ）

			Kigin interprets this as the woman's response poem to 697, saying "please trust me." Norinaga agreed, but also labeled the poem 聞こえにくし.　Nakayama notes it's an unusual response and tentatively supports Kigin's reading, but he goes on to explain a number of other possibilities in great detail.

	== 699 ==		== 699 ==

Jchristo: /* 698 */

2025-01-13T16:22:43Z

698

← Older revision		Revision as of 16:22, 13 January 2025
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	== 698 ==		== 698 ==

			* 歌ナシ（片）

			かくてをこせて侍けれど、宮づかへする人なりければ、いとまなくて、又のあしたに、とこなつの花につけてをこせて侍ける

			* 作者ナシ] よみ人しらず（中・承・正・八*）

			をくつゆの　かゝる物とは　おもへども　かれせぬ物は　なでしこのはな

			* かかる] かへる（堀*）
			* 物とは] 物とや（慶）
			* おもへども] しりながら（堀*）、おもふらん（雲・慶）
			* なでしこ] とこなつ（八*）

	== 699 ==		== 699 ==

Jchristo: /* 697 */

2024-12-13T16:54:46Z

697

← Older revision		Revision as of 16:54, 13 December 2024
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	* Teika's note 庶明　権中納言		* Teika's note 庶明　権中納言
	* ~~みなもとのきよあきら（荒・坊）、師明朝臣（雲）~~		* みなもとのきよあきら（荒・坊）、師明朝臣（雲）、もろ光（新ィ）

	つまにおふる　ことなしくさを　見るからに　たのむ心ぞ　かすまざりける		つまにおふる　ことなしくさを　見るからに　たのむ心ぞ　かすまざりける

	* つまに] ~~松に（堀）~~		* つまに] 松に（堀・新ィ）
	* ことなしくさを] ~~ことなしくさと（堀・荒・正保ィ・八ィ・標ィ・旧国ィ）~~		* ことなしくさを] ことなしくさと（堀・荒・正保ィ・八ィ・標ィ・新ィ・旧国ィ）

			;つまにおふる
			:「軒の妻也」（八代集抄）

			;ことなしくさ
			:Alternate name of 忍草, used for 物忌. This plays on 事なし (nothing written on the paper).（八代集抄）「ことなし草は思ふ事なきにやあらんと思ふもをかし」（枕草子）Katagiri interprets as 事成草 instead (和歌大系 agrees).

			;たのむ心ぞ
			:「（妻となり）あなたを頼りに思う気持ちが一層増してきました」（新注）

			「しのぶといへる名に付て、頼心ぞ数まさると読めるにや」（八代集抄）Nakayama thought the focus was more on 無言 than 忍. See GSS 1220 (Tsurayuki). Kifune supports the 忍 reading as well (偲ぶ）. Norinaga did not understand the poem.

			The returned letter most likely just said "Message received" with no actual response. Moroakira turns this into a skilled response (全釈).

	== 698 ==		== 698 ==

Jchristo: /* 697 */

2024-12-11T16:36:16Z

697

← Older revision		Revision as of 16:36, 11 December 2024
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	* つまに] 松に（堀）		* つまに] 松に（堀）
	* ことなしくさを] ~~ことなしくさと（堀・荒・標ィ）~~		* ことなしくさを] ことなしくさと（堀・荒・正保ィ・八ィ・標ィ・旧国ィ）

	== 698 ==		== 698 ==

Jchristo: /* 697 */

2024-12-11T16:24:54Z

697

← Older revision		Revision as of 16:24, 11 December 2024
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	== 697 ==		== 697 ==

			* 歌ナシ（片）

			人のもとに、はじめてふみつかはあしけるに、返事はなくて、たゞかみをひきむすびてかへしたりければ

			源もろあきらの朝臣

			* Teika's note 庶明　権中納言
			* みなもとのきよあきら（荒・坊）、師明朝臣（雲）

			つまにおふる　ことなしくさを　見るからに　たのむ心ぞ　かすまざりける

			* つまに] 松に（堀）
			* ことなしくさを] ことなしくさと（堀・荒・標ィ）

	== 698 ==		== 698 ==

Jchristo: /* 696 */

2024-12-11T16:13:20Z

696

← Older revision		Revision as of 16:13, 11 December 2024
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	I can't tell where to look for the words because you are writing to so many women (the plover has no fixed place).		I can't tell where to look for the words because you are writing to so many women (the plover has no fixed place).

			== 697 ==

			== 698 ==

			== 699 ==

	= V1 =		= V1 =

Jchristo: /* 695 */

2024-12-10T18:59:49Z

695

← Older revision		Revision as of 18:59, 10 December 2024
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	Kagero nikki 浜千鳥跡も汀に踏み見ぬはわれを超す波うりや消つらむ		Kagero nikki 浜千鳥跡も汀に踏み見ぬはわれを超す波うりや消つらむ

			== 696 ==

			* 歌ナシ（片）

			返し

			Response

			おほつ舟

			Otsubune

			* ナシ（堀）、おほつぶねのこ（荒）

			(81r) ゆく水の　せごとにふまむ　あとゆへに　たのむしるしを　いづれとかみむ

			The plover makes tracks everywhere on the shoals of the flowing water, so where can I look for your specific sign?

			;せ
			:瀬, a metaphor for other women.

			I can't tell where to look for the words because you are writing to so many women (the plover has no fixed place).

	= V1 =		= V1 =