Gosen wakashu - Revision history

Jchristo at 18:40, 19 January 2023

2023-01-19T18:40:31Z

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	[[Gosenshu Introduction\|Introduction]]		[[Gosenshu Introduction\|Introduction]]

	#[[~~Gosenshu~~ 1\|Spring 1]] (巻巻一　春上), poems 1-46		#[[GSS Volume 1\|Spring 1]] (巻巻一　春上), poems 1-46
	#[[Gosenshu 2\|Spring 2]] (巻第二　春中), poems 47-80		#[[Gosenshu 2\|Spring 2]] (巻第二　春中), poems 47-80
	#[[Gosenshu 3\|Spring 3]] (巻第三　春下), poems 81-146		#[[Gosenshu 3\|Spring 3]] (巻第三　春下), poems 81-146

Jchristo: /* Textual notes */

2022-09-12T19:18:57Z

Textual notes

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	4. '''Joho 3 text''' - This form of the text is known only through two manuscripts. Sugitani notes that the text is significantly closer to Teika's earliest manuscripts than the other texts, and may preserve some late-Heian form of the text prior to Teika's editing.		4. '''Joho 3 text''' - This form of the text is known only through two manuscripts. Sugitani notes that the text is significantly closer to Teika's earliest manuscripts than the other texts, and may preserve some late-Heian form of the text prior to Teika's editing.
	* (承) (Komatsu)		* (承) (Komatsu)
			* (正)
	5. '''Vulgate text'''. This is the text represented by the major Edo-period editions of the collection, as well as some modern editions prior to World War II.		5. '''Vulgate text'''. This is the text represented by the major Edo-period editions of the collection, as well as some modern editions prior to World War II.
	* (ハ) (OCLC 28073369)		* (ハ) (OCLC 28073369)

Jchristo: /* Textual notes */

2022-09-12T19:18:25Z

Textual notes

← Older revision		Revision as of 19:18, 12 September 2022
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	4. '''Joho 3 text''' - This form of the text is known only through two manuscripts. Sugitani notes that the text is significantly closer to Teika's earliest manuscripts than the other texts, and may preserve some late-Heian form of the text prior to Teika's editing.		4. '''Joho 3 text''' - This form of the text is known only through two manuscripts. Sugitani notes that the text is significantly closer to Teika's earliest manuscripts than the other texts, and may preserve some late-Heian form of the text prior to Teika's editing.
	* (承) (Komatsu)		* (承) (Komatsu)
	5. '''Vulgate text'''. This is the text represented by the major Edo-period editions of the collection, as well as some modern editions prior to World War II. I have only included one text here, as the later editions are mostly derived from that and have little independent textual value. The ''Hyochu'' edition includes a large number of notes about variant readings, but the sources of these variants are unknown -- the editor of the ''Hyochu'' copied them from other scholars, and many of the readings are found in no existing manuscript.		5. '''Vulgate text'''. This is the text represented by the major Edo-period editions of the collection, as well as some modern editions prior to World War II.
	* (ハ) (OCLC 28073369)		* (ハ) (OCLC 28073369)
			* (増)
			* (標)
			* (新)

			The following symbols are used in the textual notes:
			* + indicates that the symbols in question have been added afterwards (by the same or a different hand)
			* ィ indicates that the reading is given in the source as a variant reading (whether explicitly identified or not)
			* * indicates that the base text reading is given in the source as a variant reading.

	== Other Sources ==		== Other Sources ==

Jchristo: /* The Text */

2022-09-05T19:55:17Z

The Text

← Older revision		Revision as of 19:55, 5 September 2022
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	* Furigana in parentheses have been added by me.		* Furigana in parentheses have been added by me.
	* The spaces and line breaks are editorial; I have put the prose preface, author, and poem on separate lines, and put one space between each line of the poem.		* The spaces and line breaks are editorial; I have put the prose preface, author, and poem on separate lines, and put one space between each line of the poem.
	* The numbers assigned to the poems are ~~from~~ the ''Shinpen kokka taikan''. The original ''Kokka taikan'' edition had an additional poem between 450 and 451, so when using older research that used the original ''Kokka taikan'' numbers, you will have to subtract one from any poem number above 451.		* The numbers are assigned sequentially to the poems, and are the same as in the ''Shinpen kokka taikan''. The original ''Kokka taikan'' edition had an additional poem between 450 and 451, so when using older research that used the original ''Kokka taikan'' numbers, you will have to subtract one from any poem number above 451.

	The base text contains some annotations (勘物) by Teika. I have not included this; see the ''Shin nihon koten bungaku taikei'' edition of the GSS, or the transcription at the back of the volume containing the facsimile of Teika's text.		The base text contains some annotations (勘物) by Teika. I have not included this; see the ''Shin nihon koten bungaku taikei'' edition of the GSS, or the transcription at the back of the volume containing the facsimile of Teika's text.

Jchristo: /* Introduction */

2021-11-02T17:34:44Z

Introduction

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	5. '''Vulgate text'''. This is the text represented by the major Edo-period editions of the collection, as well as some modern editions prior to World War II. I have only included one text here, as the later editions are mostly derived from that and have little independent textual value. The ''Hyochu'' edition includes a large number of notes about variant readings, but the sources of these variants are unknown -- the editor of the ''Hyochu'' copied them from other scholars, and many of the readings are found in no existing manuscript.		5. '''Vulgate text'''. This is the text represented by the major Edo-period editions of the collection, as well as some modern editions prior to World War II. I have only included one text here, as the later editions are mostly derived from that and have little independent textual value. The ''Hyochu'' edition includes a large number of notes about variant readings, but the sources of these variants are unknown -- the editor of the ''Hyochu'' copied them from other scholars, and many of the readings are found in no existing manuscript.
	* (ハ) (OCLC 28073369)		* (ハ) (OCLC 28073369)

			== Other Sources ==

			== Old Commentaries ==

	=List of sources=		=List of sources=

Jchristo: /* Textual notes */

2021-11-02T17:33:24Z

Textual notes

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	* (慈) Only volumes 7 and 8 survive from this text (facsimile OCLC 28909811)		* (慈) Only volumes 7 and 8 survive from this text (facsimile OCLC 28909811)
	3. '''Old texts''' (古本系統) - This is not really a textual family per-se; it's a catchall term for texts that don't fall into the other categories and may reflect various forms of the text that existed independent of Kiyosuke or Teika's editing.		3. '''Old texts''' (古本系統) - This is not really a textual family per-se; it's a catchall term for texts that don't fall into the other categories and may reflect various forms of the text that existed independent of Kiyosuke or Teika's editing.
	* (堀)		* (堀) (Sōsakuin)
	* (雲) OCLC 673910752		* (雲) OCLC 673910752
	* (白)		* (白) A fragmentary text (Komatsu)
	* (胡)		* (胡) A fragmentary text (Komatsu)
	* (烏)		* (烏) A fragmentary text (Komatsu)
	* (慶)		* (慶) Known only from collation notes in other texts. I have used the ''Gosen wakashu hyochu'' here.
	* (坊)		* (坊) (Facsimile OCLC 298306866)
	4. '''Joho 3 text''' - This form of the text is known only through two manuscripts. Sugitani notes that the text is significantly closer to Teika's earliest manuscripts than the other texts, and may preserve some late-Heian form of the text prior to Teika's editing.		4. '''Joho 3 text''' - This form of the text is known only through two manuscripts. Sugitani notes that the text is significantly closer to Teika's earliest manuscripts than the other texts, and may preserve some late-Heian form of the text prior to Teika's editing.
	* (承)		* (承) (Komatsu)
	5. '''Vulgate text'''. This is the text represented by the major Edo-period editions of the collection, as well as some modern editions prior to World War II. I have only included one text here, as the later editions are mostly derived from that and have little independent textual value. The ''Hyochu'' edition includes a large number of notes about variant readings, but the sources of these variants are unknown -- the editor of the ''Hyochu'' copied them from other scholars, and many of the readings are found in no existing manuscript.		5. '''Vulgate text'''. This is the text represented by the major Edo-period editions of the collection, as well as some modern editions prior to World War II. I have only included one text here, as the later editions are mostly derived from that and have little independent textual value. The ''Hyochu'' edition includes a large number of notes about variant readings, but the sources of these variants are unknown -- the editor of the ''Hyochu'' copied them from other scholars, and many of the readings are found in no existing manuscript.
	* (ハ)		* (ハ) (OCLC 28073369)

	=List of sources=		=List of sources=

Jchristo: /* Textual notes */

2021-11-02T17:30:58Z

Textual notes

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	==Textual notes==		==Textual notes==

	I have collated the manuscript with the texts found in the following sources:		I have collated the manuscript with the texts found in the following sources, as well as additional sources listed by OCLC number.
	* Ōsaka Joshi Daigaku. (1965). ''Gosen wakashū sōsakuin''. Ōsaka-shi: Ōsaka Joshi Daigaku. OCLC 23131799		* Ōsaka Joshi Daigaku. (1965). ''Gosen wakashū sōsakuin''. Ōsaka-shi: Ōsaka Joshi Daigaku. OCLC 23131799 (Sōsakuin)
	* Kyusojin, Hitaku, and Reiko Fukaya. 1968. ''Gosen wakashu unshubon to kenkyu''. Mikan Kokubun Shiryo Kankokai. OCLC 673910752		* Komatsu, Shigemi. 1961. ''Gosen wakashū: kōhon to kenkyū''. Tōkyō: Seishin Shobō. OCLC 22939130 (Komatsu)
	* Komatsu, Shigemi. 1961. ''Gosen wakashū: kōhon to kenkyū''. Tōkyō: Seishin Shobō. OCLC 22939130

	Sugitani Juro divides the texts into four basic textual families, although he notes that the divisions are not perfect.		Sugitani Juro divides the texts into four basic textual families, although he notes that the divisions are not perfect.

	1. '''Fujiwara no Teika's texts'''. Teika made at least eight manuscripts of the GSS during his life. ~~They include~~:		1. '''Fujiwara no Teika's texts'''. Teika made at least eight manuscripts of the GSS during his life. In addition to Teika's own ''Tenpuku 2'' base text (see above):
	* (高) A tracing of the ''Tenpuku 2 text'' held in the		* (高) A tracing of the ''Tenpuku 2 text'' made in the edo period and formerly held in the Takamatsu-miya. Used as the basis for almost all modern GSS editions.
	* (為)		* (為) A copy of the Tenpuku 2 text made by Reizei Tamesuke and help in the Nihon Daigaku library. Used as the base text for the ''Shinpen Kokka Taikan''. A typeset edition is available (OCLC 28076127).
	* (中)		* (中) This text has no year, but is generally thought to be Teika's earliest version of the GSS, as it bears a number of similarities to "old" texts. (Sōsakuin)
	* (貞)		* (貞) 貞応二 (1223). This version was made roughly 10 years before the ''Tenpuku 2'' text; it is close to that text and examining this version can reveal evidence of some of the late changed Teika made. (Sōsakuin)
	2. '''Kiyosuke-bon texts'''. These texts seem to preserve a text edited by Fujiwara no Kiyosuke. Unlike the Kiyosuke ''Kokin wakashu'' texts, this textual family is not as stable or well-attested, and it's not clear to what extent Kiyosuke had a fixed GSS text.		2. '''Kiyosuke-bon texts'''. These texts seem to preserve a text edited by Fujiwara no Kiyosuke. Unlike the Kiyosuke ''Kokin wakashu'' texts, this textual family is not as stable or well-attested, and it's not clear to what extent Kiyosuke had a fixed GSS text.
	* (荒)		* (荒) Futarashi-bon text; only the first 10 volumes are extant. (Sōsakuin)
	* (片)		* (片) This text is written in katakana; only the first 10 volumes are extant. (Sōsakuin)
	* (安)		* (安) This 承安３ (1173) text is known only through collation notes in other manuscripts. (facsimile OCLC 28909811)
	* (慈)		* (慈) Only volumes 7 and 8 survive from this text (facsimile OCLC 28909811)
	3. '''Old texts''' (古本系統) - This is not really a textual family per-se; it's a catchall term for texts that don't fall into the other categories and may reflect various forms of the text that existed independent of Kiyosuke or Teika's editing.		3. '''Old texts''' (古本系統) - This is not really a textual family per-se; it's a catchall term for texts that don't fall into the other categories and may reflect various forms of the text that existed independent of Kiyosuke or Teika's editing.
	* (堀)		* (堀)
	* (雲)		* (雲) OCLC 673910752
	* (白)		* (白)
	* (胡)		* (胡)

Jchristo: /* Textual notes */

2021-11-01T20:03:08Z

Textual notes

← Older revision		Revision as of 20:03, 1 November 2021
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	* (中)		* (中)
	* (貞)		* (貞)
	2. '''Kiyosuke-bon texts'''.		2. '''Kiyosuke-bon texts'''. These texts seem to preserve a text edited by Fujiwara no Kiyosuke. Unlike the Kiyosuke ''Kokin wakashu'' texts, this textual family is not as stable or well-attested, and it's not clear to what extent Kiyosuke had a fixed GSS text.
	* (荒)		* (荒)
	* (片)		* (片)
	* (安)		* (安)
	* (慈)		* (慈)
	3. '''Old texts''' (古本系統)		3. '''Old texts''' (古本系統) - This is not really a textual family per-se; it's a catchall term for texts that don't fall into the other categories and may reflect various forms of the text that existed independent of Kiyosuke or Teika's editing.
	* (堀)		* (堀)
	* (雲)		* (雲)
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	* (烏)		* (烏)
	* (慶)		* (慶)
	4. '''Joho 3 text'''		* (坊)
			4. '''Joho 3 text''' - This form of the text is known only through two manuscripts. Sugitani notes that the text is significantly closer to Teika's earliest manuscripts than the other texts, and may preserve some late-Heian form of the text prior to Teika's editing.
	* (承)		* (承)
	5. '''Vulgate text'''. This is the text represented by the major Edo-period editions of the collection, as well as some modern editions prior to World War II. I have only included one text here, as the later editions are mostly derived from that and have little independent textual value. The ''Hyochu'' edition includes a large number of notes about variant readings, but the sources of these variants are unknown -- the editor of the ''Hyochu'' copied them from other scholars, and many of the readings are found in no existing manuscript.		5. '''Vulgate text'''. This is the text represented by the major Edo-period editions of the collection, as well as some modern editions prior to World War II. I have only included one text here, as the later editions are mostly derived from that and have little independent textual value. The ''Hyochu'' edition includes a large number of notes about variant readings, but the sources of these variants are unknown -- the editor of the ''Hyochu'' copied them from other scholars, and many of the readings are found in no existing manuscript.

Jchristo: Start of the new introduction text

2021-10-28T19:25:46Z

Start of the new introduction text

← Older revision		Revision as of 19:25, 28 October 2021
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	=Introduction=		=Introduction=

			(Note that the following 凡例 describes future plans for the edition, not how it looks now.)

	==The Text==		==The Text==

	The base text for this translation is Fujiwara no Teika's "Tenpuku 2 text," written in 1234. The manuscript itself was only made available in facsimile in 2004, published as volume 3 of the 冷泉時雨亭叢書 (OCLC 56085741). However, an Edo-period tracing of the manuscript serves as the basis for every modern edition of the work. The text is close to the "standard" one found in Kitamura Kigin's ''Hachidaishū-shō'' and most other pre-World War 2 editions.		The base text for this translation is Fujiwara no Teika's "Tenpuku 2 text," written in 1234. The manuscript itself was only made available in facsimile in 2004, published as volume 3 of the 冷泉時雨亭叢書 (OCLC 56085741). However, an Edo-period tracing of the manuscript serves as the basis for every modern edition of the work. The text is close to the "standard" one found in Kitamura Kigin's ''Hachidaishū-shō'' and most other pre-World War 2 editions. I have provided the folio numbers of the manuscript in the text.

	I have ~~collated~~ the ~~manuscript with~~ the ~~texts found in~~ the ~~following sources:~~		The only emendations to the text I have made are cases where Teika himself seems to have corrected an error. In the commentary I discuss places where modern editions have emended the text, or where I feel the text is problematic.
	* Ōsaka Joshi Daigaku. (1965). ''Gosen wakashū sōsakuin''. Ōsaka-shi: Ōsaka Joshi Daigaku. OCLC 23131799
	* Kyusojin, Hitaku, and Reiko Fukaya. 1968. ''Gosen wakashu unshubon to kenkyu''. Mikan Kokubun Shiryo Kankokai. OCLC 673910752
	* Komatsu, Shigemi. 1961. ''Gosen wakashū: kōhon to kenkyū''. Tōkyō: Seishin Shobō. ~~OCLC 22939130~~

	~~I mention significant differences in the notes, but I have only emended the~~ text ~~in cases where all three~~ modern ~~editions I am using have done so.~~		The text has been presented with a number of modifications that follow standard editing procedure for pre-modern Japanese texts:

	~~The following changes have been made in transcribing the text~~:
	* All kanji and kana have been changed to standard modern forms.		* All kanji and kana have been changed to standard modern forms.
	* Kana usage is changed to conform with standard orthography (旧仮名遣い)		* Kana usage is changed to conform with standard "old kana" orthography (旧仮名遣い)
	* Voicing marks have been added, and the prose prefaces have been punctuated.		* Voicing marks have been added, and the prose prefaces have been punctuated. The voicing marks are based on other scholars, particularly Takeoka Masao's ''Kokin wakashū zenhyōshaku''.
	* ~~In the prose prefaces only, some~~ kana have been changed to kanji.		* Some kana have been changed to kanji, and the original kana left as furigana. This is done primarily in the prose prefaces.
	* Kanji that are used to represent grammatical structures (such as 南 for なん) have been changed to kana.		* Kanji that are used to represent grammatical structures (such as 南 for なん) have been changed to kana, with the original kanji put above as furigana.
	* Okurigana have been added, as well as the の particle in some cases (e.g. 梅花 -> 梅の花)		* Okurigana have been added, as well as the の particle in some cases (e.g. 梅花 -> 梅の花). A ・ (''nakaguro'') mark is placed above these characters as furigana.
	* Kana repetition signs are not used.		* Kana repetition signs are not used in the main text, but are given as furigana.
	* The numbers assigned to the poems are from the ''Shinpen kokka taikan''.		* Furigana in parentheses have been added by me.
			* The spaces and line breaks are editorial; I have put the prose preface, author, and poem on separate lines, and put one space between each line of the poem.
			* The numbers assigned to the poems are from the ''Shinpen kokka taikan''. The original ''Kokka taikan'' edition had an additional poem between 450 and 451, so when using older research that used the original ''Kokka taikan'' numbers, you will have to subtract one from any poem number above 451.

	The base text contains some annotations (勘物) by Teika. I have not included this; see the ''Shin nihon koten bungaku taikei'' edition of the GSS, or the transcription at the back of the volume containing the facsimile of Teika's text.		The base text contains some annotations (勘物) by Teika. I have not included this; see the ''Shin nihon koten bungaku taikei'' edition of the GSS, or the transcription at the back of the volume containing the facsimile of Teika's text.
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	==The Translation==		==The Translation==

	Translating Japanese ''waka'' poetry is a fraught process that has engendered a number of approaches. ~~For these translations I have used~~ a ~~5-7-5-7-7 meter like~~ the original~~; there~~ are ~~serious questions about~~ the ~~validity of this method but~~ it has ~~been used by a number of translators~~.		Translating Japanese ''waka'' poetry is a fraught process that has engendered a number of approaches. The purpose of this edition on this wiki is to provide a scholarly edition of the text for those who can read classical Japanese. Therefore the goal of the translation is to match the original as closely as possible, without regard to poetic quality. Each line in the translation matches up with a line in the original poem, separated by slashes. If reordering the lines or combining lines are necessary, this is given in parentheses after the line. For instance:

			::In each village / it cries here and there / the cuckoo / searching for you (5) / who has no fixed abode (4).

			This indicates that lines 4 and 5 are reversed in the translation.

	I ~~typically represent ''kakekotoba''~~ as ~~metaphors or similes~~, ~~which is questionable~~, ~~but at least represents~~ the ~~device~~ in ~~English~~. I ~~break~~ the ~~sentence only if~~ the ~~original poem breaks~~ the ~~sentence~~.		::If I had known it would involve this much longing (1-2) / settling at night and / disappearing in the dawn / I would have been as that dew.

			This indicates that lines 1 and 2 have been combined in the translation (usually because of a grammatical element that makes it difficult to translate each line individually.

			==The Notes and Comment==

			The "notes" consist of annotation to words, as well as major comments on the text. The "comment" section covers the overall interpretation of the poem, disagreements between scholars, and historical views. In both these sections, textual concerns or versions of the poem in other sources are only covered if they bear on the interpretation of the poem.

			==Textual notes==

			I have collated the manuscript with the texts found in the following sources:
			* Ōsaka Joshi Daigaku. (1965). ''Gosen wakashū sōsakuin''. Ōsaka-shi: Ōsaka Joshi Daigaku. OCLC 23131799
			* Kyusojin, Hitaku, and Reiko Fukaya. 1968. ''Gosen wakashu unshubon to kenkyu''. Mikan Kokubun Shiryo Kankokai. OCLC 673910752
			* Komatsu, Shigemi. 1961. ''Gosen wakashū: kōhon to kenkyū''. Tōkyō: Seishin Shobō. OCLC 22939130

	~~==The Commentary==~~		Sugitani Juro divides the texts into four basic textual families, although he notes that the divisions are not perfect.

	~~The commentary has been divided into notes and and analysis section~~ (~~after two dashes~~). ~~The former covers definitions~~ of ~~words~~ and ~~other such notes~~. The ~~latter is for commentary on~~ the ~~relation~~ of the ~~poem to surrounding poems, similar imagery in~~ other ~~poetry~~, and ~~criticism by classical or modern scholars~~.		1. '''Fujiwara no Teika's texts'''. Teika made at least eight manuscripts of the GSS during his life. They include:
			* (高) A tracing of the ''Tenpuku 2 text'' held in the
			* (為)
			* (中)
			* (貞)
			2. '''Kiyosuke-bon texts'''.
			* (荒)
			* (片)
			* (安)
			* (慈)
			3. '''Old texts''' (古本系統)
			* (堀)
			* (雲)
			* (白)
			* (胡)
			* (烏)
			* (慶)
			4. '''Joho 3 text'''
			* (承)
			5. '''Vulgate text'''. This is the text represented by the major Edo-period editions of the collection, as well as some modern editions prior to World War II. I have only included one text here, as the later editions are mostly derived from that and have little independent textual value. The ''Hyochu'' edition includes a large number of notes about variant readings, but the sources of these variants are unknown -- the editor of the ''Hyochu'' copied them from other scholars, and many of the readings are found in no existing manuscript.
			* (ハ)

	=List of sources=		=List of sources=

Jchristo at 20:39, 19 May 2021

2021-05-19T20:39:30Z

← Older revision		Revision as of 20:39, 19 May 2021
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	=Table of Contents=		=Table of Contents=

			NOTE: I am still playing around with the layout and presentation of the translations as I go, so expect inconsistencies in how things are presented. I intend to make everything more consistent at a later date.

	[[Gosenshu Introduction\|Introduction]]		[[Gosenshu Introduction\|Introduction]]

← Older revision		Revision as of 18:40, 19 January 2023
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	[[Gosenshu Introduction\|Introduction]]		[[Gosenshu Introduction\|Introduction]]

	#[[~~Gosenshu~~ 1\|Spring 1]] (巻巻一　春上), poems 1-46		#[[GSS Volume 1\|Spring 1]] (巻巻一　春上), poems 1-46
	#[[Gosenshu 2\|Spring 2]] (巻第二　春中), poems 47-80		#[[Gosenshu 2\|Spring 2]] (巻第二　春中), poems 47-80
	#[[Gosenshu 3\|Spring 3]] (巻第三　春下), poems 81-146		#[[Gosenshu 3\|Spring 3]] (巻第三　春下), poems 81-146