GSS 12 - Revision history

Jchristo: /* Text */

2023-05-17T21:49:36Z

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	<~~span~~ class="honmon">		<div class="honmon">

	寛平御時<ruby>后<rt>きさいの</rt></ruby>宮の歌合のうた		寛平御時<ruby>后<rt>きさいの</rt></ruby>宮の歌合のうた

Jchristo: /* Text */

2023-05-17T14:05:35Z

Text

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			<span class="honmon">

	寛平御時<ruby>后<rt>きさいの</rt></ruby>宮の歌合のうた		寛平御時<ruby>后<rt>きさいの</rt></ruby>宮の歌合のうた
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	吹風や　春たちきぬと　つげつらん　枝にこもれる　花さきにけり		吹風や　春たちきぬと　つげつらん　枝にこもれる　花さきにけり

			</span>

	= Translation =		= Translation =

Jchristo: /* Analysis */

2023-03-31T17:47:29Z

Analysis

← Older revision		Revision as of 17:47, 31 March 2023
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	This poem is the first actual appearance of flowers in the spring volume ([[~~poem~~ 5\|~~GSS~~ 5]] mentions cherry blossoms but only as a future event).		This poem is the first actual appearance of flowers in the spring volume ([[GSS 5\|poem 5]] mentions cherry blossoms but only as a future event).

	Both 11 and 12 are "artificial" poems -- this poem is a rare example of a poem that is explicitly identified as coming from a poetry contest. Sato notes that the KKS has 135 poems from contests, 112 are explicitly identified as such. The GSS has a mere 36, of which only 12 are explicitly identified, and virtually all of them come from old poetry contests held before the composition of the KKS. This clearly shows the lack of importance the GSS compilers placed on such artificially composed poems.		Both 11 and 12 are "artificial" poems -- this poem is a rare example of a poem that is explicitly identified as coming from a poetry contest. Sato notes that the KKS has 135 poems from contests, 112 are explicitly identified as such. The GSS has a mere 36, of which only 12 are explicitly identified, and virtually all of them come from old poetry contests held before the composition of the KKS. This clearly shows the lack of importance the GSS compilers placed on such artificially composed poems.

Jchristo: /* Analysis */

2023-03-31T17:47:09Z

Analysis

← Older revision		Revision as of 17:47, 31 March 2023
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	= Analysis =		= Analysis =

			This poem is the first actual appearance of flowers in the spring volume ([[poem 5\|GSS 5]] mentions cherry blossoms but only as a future event).

	Both 11 and 12 are "artificial" poems -- this poem is a rare example of a poem that is explicitly identified as coming from a poetry contest. Sato notes that the KKS has 135 poems from contests, 112 are explicitly identified as such. The GSS has a mere 36, of which only 12 are explicitly identified, and virtually all of them come from old poetry contests held before the composition of the KKS. This clearly shows the lack of importance the GSS compilers placed on such artificially composed poems.		Both 11 and 12 are "artificial" poems -- this poem is a rare example of a poem that is explicitly identified as coming from a poetry contest. Sato notes that the KKS has 135 poems from contests, 112 are explicitly identified as such. The GSS has a mere 36, of which only 12 are explicitly identified, and virtually all of them come from old poetry contests held before the composition of the KKS. This clearly shows the lack of importance the GSS compilers placed on such artificially composed poems.
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	The poem itself, as is typical of such public/artificial poems, uses a structure of seeing a natural phenomenon and guessing what the result is. In this case the spring, the wind, and the flowers are all personified with verbs that would normally refer to human activity (立ちく、告ぐ、こもる). Kifune feels that this contributes a fairy-tale like atmosphere.		The poem itself, as is typical of such public/artificial poems, uses a structure of seeing a natural phenomenon and guessing what the result is. In this case the spring, the wind, and the flowers are all personified with verbs that would normally refer to human activity (立ちく、告ぐ、こもる). Kifune feels that this contributes a fairy-tale like atmosphere.

	The idea that the spring wind causes flowers to bloom is one that is found not only in earlier Japanese poetry but may be taken originally from Chinese poetry. Many commentaries cite a line from Bai Juyi (先遣和風報消行) with Katagiri and Tokuhara explicitly saying that this poem is based on the Chinese line. Certainly this would be an appropriate source for an officially-sponsored poetry competition.		The idea that the spring wind causes flowers to bloom is one that is found not only in earlier Japanese poetry but may be taken originally from Chinese poetry. Many commentaries cite a line from Bai Juyi (先遣和風報消行) with Katagiri and Tokuhara explicitly saying that this poem is based on the Chinese line. Certainly this would be an appropriate source for an officially-sponsored poetry competition. In addition, this would provide a further link between this poem and poem 11 (which seems to also based on a line of Chinese verse by Bai Juyi).


	[[GSS 11\|Previous poem]] \| [[GSS_Volume_1\|Volume 1 Contents]] \| [[GSS 13\|Next poem]]		[[GSS 11\|Previous poem]] \| [[GSS_Volume_1\|Volume 1 Contents]] \| [[GSS 13\|Next poem]]

Jchristo at 17:43, 31 March 2023

2023-03-31T17:43:52Z

@@ Line 3: / Line 3: @@
 = Text =
-寛平御時きさいの宮の歌合のうた
+寛平御時<ruby>后<rt>きさいの</rt></ruby>宮の歌合のうた
 よみ人しらず
 吹風や　春たちきぬと　つげつらん　枝にこもれる　花さきにけり
 = Textual notes =
@@ Line 18: / Line 26: @@
 = Other sources =
-* 新撰万葉集１５
+* [[新撰万葉集]]１５
-* 古今和歌六帖３９１・春風
+* [[古今和歌六帖]]３９１・春風
-* 和歌童蒙抄
+* [[和歌童蒙抄]]
 [[GSS 11|Previous poem]] | [[GSS_Volume_1|Volume 1 Contents]] | [[GSS 13|Next poem]]

Jchristo at 17:23, 21 March 2023

2023-03-21T17:23:38Z

← Older revision		Revision as of 17:23, 21 March 2023
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	= Other sources =		= Other sources =

			* 新撰万葉集１５
	* 古今和歌六帖３９１・春風		* 古今和歌六帖３９１・春風
			* 和歌童蒙抄


	[[GSS 11\|Previous poem]] \| [[GSS_Volume_1\|Volume 1 Contents]] \| [[GSS 13\|Next poem]]		[[GSS 11\|Previous poem]] \| [[GSS_Volume_1\|Volume 1 Contents]] \| [[GSS 13\|Next poem]]

Jchristo: Created page with "Previous poem | Volume 1 Contents | Next poem = Text = 寛平御時きさいの宮の歌合のうたよみ人しらず吹風や　春たちきぬと　つげつらん　枝にこもれる　花さきにけり = Textual notes = * 吹風や] 吹風に (承) * つげつらん] つげぬらん (標ィ) * こもれる] のこれる (承) * さきにけり] 散りにけり (堀) = Other sources = * 古今和歌六帖３９１・..."

2023-03-21T16:45:07Z

Created page with "Previous poem | Volume 1 Contents | Next poem = Text = 寛平御時きさいの宮の歌合のうたよみ人しらず吹風や　春たちきぬと　つげつらん　枝にこもれる　花さきにけり = Textual notes = * 吹風や] 吹風に (承) * つげつらん] つげぬらん (標ィ) * こもれる] のこれる (承) * さきにけり] 散りにけり (堀) = Other sources = * 古今和歌六帖３９１・..."

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